Canon EOS R8 Mark II Set for September 15: IBIS, 24MP Sensor, Around $1,800

Canon EOS R8 Mark II
Canon EOS R8 Mark II — Canon Rumors now points to a September 15, 2026 announcement

The Canon EOS R8 Mark II now has a date. Canon Rumors says the travel-oriented full-frame body will be announced on September 15, 2026 (give or take a timezone).

The latest briefing also fills in the rest of the package: same size and weight as the current R8, in-body stabilization, a recycled 24.2MP sensor, and a body-only price around $1,800.

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Nikon Product Wave Delayed: Cameras, Lenses, and Firmware Slipping Toward 2027


If you have been waiting on Nikon’s next bodies, the wait may get longer. Nikon Rumors says the consensus from multiple sources is blunt: almost everything still in the pipeline is delayed — rumored cameras, lenses, and firmware updates included.

There are no hard new dates. The site’s own July timeline is now described as optimistic, with some products likely sliding into 2027.

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DJI Osmo 360 II Announced: Native 8K60 360 Camera With Replaceable Lenses, Starts at CNY 3,299

DJI Osmo 360 II
DJI Osmo 360 II — second-generation 8K 360 camera with native 8K/60fps

DJI has officially launched the Osmo 360 II, the second-generation version of its flagship 360 camera. The headline upgrade is native 8K/60fps panoramic video — up from 8K/50fps on the original — plus user-replaceable lenses, subject tracking, NFC pairing, and a bump to 14.5 stops of dynamic range.

China pricing starts at CNY 3,299 for the Standard Combo, with a higher bundle listed at CNY 3,999. A global / US store page has not gone live at launch.

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Insta360 X6 Announced: 8K50 360 Camera with Sony Sensors, Starts at $699.99

Insta360 X6
Insta360 X6 — flagship 8K 360 camera with dual Sony custom sensors

Insta360 has officially launched the X6 (Amazon/B&H Photo Video), its new flagship 360 camera. The biggest leap is imaging: dual Sony custom square sensors delivering what Insta360 calls 1-inch imaging, paired with native 8K50fps 360 video and a heavier focus on AI-assisted editing.

US pricing starts at $699.99 for the Standard Bundle and $769.99 for the Essentials Bundle — a clear step up from the X5.

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Canon EOS R8 Mark II Sensor Update: 24MP Full-Frame, Not 32.5MP

Canon EOS R8 Mark II mockup
Canon EOS R8 Mark II — latest rumor points to a 24MP full-frame sensor

Fresh information from Canon Rumors revises one of the biggest assumptions about the upcoming Canon EOS R8 Mark II: it is not expected to use the 32.5MP sensor from the EOS R6 Mark III and Cinema EOS C50.

According to the latest update, the R8 Mark II will instead ship with a full-frame CMOS sensor around 24 megapixels.

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Nikon Z70 Spotted on Apple’s ProRes RAW Authorized Products List

Nikon ZR cinema camera
Nikon ZR — Apple’s ProRes list now also includes a previously unseen Nikon Z70

Apple’s official Apple ProRes and ProRes RAW Authorized Products page has quietly named a camera Nikon has not announced yet: the Nikon Z70.

The listing places the Z70 alongside Nikon’s existing ProRes-capable bodies — including the Z6III, Z8, Z9, and ZR — under both the ProRes and ProRes RAW product sections. Apple’s page was last updated on July 10, 2026, and the Z70 entry is the clearest public signal yet that a new Nikon Z-series model is already deep into certification.

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Sony FX5 Now Available for Pre-Order: “Handheld Hollywood” Arrives at $4,898

The filmmaking community has been eagerly waiting, and the wait is finally over. Sony has officially launched the Sony FX5 Cinema Camera (Pre-order at B&H Photo Video/Amazon) , a highly anticipated addition to their esteemed Cinema Line. Perfectly positioned to bridge the gap between the ultra-compact FX3 and the more traditional, production-heavy FX6, the FX5 is now available for pre-order at $4,898.00. Dubbed “Handheld Hollywood,” this new camera isn’t merely an incremental upgrade; it brings top-tier CineAlta features—such as internal X-OCN raw and Open Gate recording—into a creator-ready, highly mobile body.

Next-Generation Sensor and AI Processing

At the heart of the FX5 lies a newly developed 16.6MP full-frame stacked Exmor RS CMOS sensor. This customized 5K resolution is a massive leap forward for motion-first shooters. The stacked architecture drastically accelerates data readout speeds, significantly reducing the rolling shutter artifacts that can plague fast-moving handheld shots.

Paired with this new sensor is the next-generation BIONZ XR2 image processor and a dedicated AI processing unit. This powerful combination brings Sony’s industry-leading, AI-based subject recognition autofocus directly to the Cinema Line. The camera intelligently identifies and continuously tracks humans, animals, and birds, ensuring that critical focus remains locked in, even when shooting wide open in unpredictable run-and-gun scenarios.

Open Gate and Internal X-OCN: A Post-Production Dream

One of the most universally requested features by modern creators has finally arrived: 5K Open Gate recording. The Sony FX5 Cinema Camera utilizes the sensor’s full 3:2 area at up to 60 fps. This grants video editors unparalleled flexibility in post-production to stabilize footage, punch in, or deliver multiple aspect ratios—like standard 16:9 for television and 9:16 for vertical social media—from a single master take. For high-speed action, the camera also supports 5K at 120 fps in a traditional 16:9 aspect ratio.

Perhaps the most disruptive addition to a sub-$5,000 camera is the inclusion of internal X-OCN (eXtended tonal range Original Camera Negative) 16-bit linear raw recording. Previously reserved for elite CineAlta cameras like the VENICE and BURANO, this powerful format is now accessible to independent filmmakers. The FX5 features compressed, highly efficient variants of X-OCN (LT, C1, and C2) that preserve immense tonal depth and color precision without crippling storage drives with unmanageable file sizes.

Triple Base ISO and Elite Dynamic Range

To further support high-end cinematic workflows, Sony has engineered the FX5 with a Triple Base ISO system—featuring native sensitivities of 800, 4000, and 12800. This architecture is paired with a Dual Gain mode that effectively yields over 16 stops of dynamic range. Whether operating in a meticulously lit commercial studio or pushing the limits in a dimly lit documentary environment, the FX5 delivers incredibly clean shadows and refined highlight retention with minimal image noise.

Refined Ergonomics, Monitoring, and Connectivity

Physically, the camera retains a compact, gimbal-friendly footprint but heavily refines its ergonomics for long shooting days. A deeper grip and optimized button layout make it an extension of the operator.

The monitoring experience has also been completely overhauled. Features include:

  • 3.5-inch Widescreen Touchscreen: A new 16:9 4-axis multi-angle display makes navigating Sony’s intuitive “BIG 6” cinema user interface easier, natively supporting built-in tools like false color, waveform, vectorscope, and anamorphic de-squeeze.

  • Professional Connectivity: The camera seamlessly integrates into professional sets with dual USB-C ports, Ethernet, full-size HDMI, and proper timecode support via an adapter cable.

  • Reliable Media and Power: Media is handled swiftly through dual CFexpress Type A/SD card slots, and the camera is powered by the high-capacity NP-SA100 battery, providing over two hours of continuous recording.

Filmmakers can further expand the camera’s capabilities with dedicated modular accessories. The optional XLR-H2 XLR Handle Unit unlocks 32-bit float audio directly in-camera to prevent clipping, while the new DVF-EL1 Electronic Viewfinder offers bright, high-quality monitoring for glaring outdoor conditions.

For $4,898, the Sony FX5 represents a massive leap forward for hybrid shooters, documentarians, and commercial creators. By answering the community’s calls for open gate capture and internal X-OCN, Sony has built an uncompromising tool that truly redefines the mid-tier cinema market.

Sony FX5 Specs Leaked, Announcement on July 22

Sony FX5 Mockup

The highly anticipated Sony FX5 has had its primary specifications leaked ahead of its rumored official announcement on July 22, 2026.

In addition to a robust spec sheet that bridges the gap between compact cinema rigs and high-end production cameras, new whispers suggest that the FX5 might eventually support 4K recording at 240fps via a future firmware update, though it may not be available right at launch.

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Canon RF 105mm f/1.4L VCM Lens Coming Next

Since the launch of the RF 35mm f/1.4L VCM in June 2024, Canon’s hybrid VCM (Voice Coil Motor) lens lineup has rapidly expanded to include six prime lenses, ranging from an ultra-wide 14mm to a classic 85mm. Now, rumors strongly suggest that Canon is preparing to cap off this innovative L-series family with one final addition: the Canon RF 105mm f/1.4L VCM.

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Canon EOS R8 Mark II Rumored Specs, to be Announced in September

The photography world is buzzing right now! We’re all eagerly waiting for the highly anticipated Canon EOS R8 Mark II, which is rumored to be announced in early September. The leaks are starting to look pretty solid, so let’s chat about this new camera and how it might completely shake up Canon’s 8-Series lineup.

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