Best ND Filters for Canon EOS R5 Mark II (2026): 8K RAW, C-Log2, No Built-in ND
The Canon EOS R5 Mark II is a 45-megapixel stacked hybrid that records 8K60 RAW and 4K120 and still has no built-in ND. C-Log2 is commonly used around ISO 800 — several stops above stills ISO 100. Cinema EOS bodies such as the C80 put ND in the body. This RF stills body does not. The 2026 first buy is the PolarPro Peter McKinnon Edition II Variable ND 6–9 Stop in 82 mm for RF 24–70mm F2.8 and RF 70–200mm F2.8.
Our Top Picks at a Glance
Updated September 2026 · EOS R5 Mark II · 45MP stacked · 8K60 RAW · 4K120 · C-Log2 ISO 800 · no internal ND · 82 mm · 6–9 first
75-1020 / 82-1020. No internal ND (unlike Cinema EOS C80). C-Log2 ~ISO 800 at 1/50 needs the heavy ring.
Check Price at Amazonat AmazonRead full review ↓NIR-TCVND1.8-2.7-82. True Color for C-Log2 next to Cinema EOS on the same set.
Check Price at Amazonat AmazonRead full review ↓KF01.1856. Nano-X ND64–512 82 mm. Same SKU as the Sony 6–9 budget line — RF 24–70 is still 82 mm.
Check Price at Amazonat AmazonRead full review ↓Disclosure: This page contains affiliate links. As an Amazon Associate affiliate, we earn a small commission from qualifying purchases at no extra cost to you.
Comparison Table
| Filter | Range | Mount | Best for | Price |
|---|---|---|---|---|
| PolarPro 6–9 Stop 82mm | 6–9 stops | 82 mm RF | C-Log2 / 8K RAW / 4K120 in daylight | Check Price |
| NiSi True Color 6–9 82mm | 6–9 stops | 82 mm RF | C-Log2 / Cinema Gamut + Fine Tuning | Check Price |
| K&F Nano-X ND64–512 82mm | 6–9 stops (ND64–512) | 82 mm RF | First C-Log2 6–9 | Check Price |
How We Picked
Three official facts decide the glass. Everything else is a pairing.
- No built-in ND. EOS R5 Mark II is a hybrid RF body. Cinema EOS C80 is the Canon comparison that includes internal ND. Glass on the lens is the R5 II path. (Canon EOS R5 Mark II)
- 8K60 RAW, 4K120, C-Log2. Internal 8K RAW and 4K120 are the video headline. CineD lists C-Log2 base sensitivity around ISO 800. That exposure in daylight is a 6–9 job. (CineD: EOS R5 Mark II)
- RF 24–70 / 70–200 are 82 mm. Full-frame L zooms that use this 45MP sensor are 82 mm. RF 24–105 F4 is 77 mm. APS-C 67 mm is a different Canon body. (Canon EOS R5 Mark II specifications)
Detailed Reviews
PolarPro Peter McKinnon Edition II Variable ND 6–9 Stop (82mm) View on Amazon View on B&H
| Range | 6–9 stops |
|---|---|
| Mount | 82 mm RF |
| Best for | C-Log2 / 8K RAW / 4K120 in daylight |
R5 Mark II video is 8K RAW and C-Log2 at a high ISO. The first filter is 6–9 in 82 mm, not a travel 2–5.
Canon’s EOS R5 Mark II is a 45MP full-frame stacked hybrid: internal 8K RAW up to 60p, 4K up to 120p, C-Log2 and C-Log3, IBIS, CFexpress + SD. CineD lists base sensitivity ISO 800 in C-Log2 and no built-in ND — the Cinema EOS C80 comparison is the one that has ND in the body. RF 24–70mm F2.8 L IS USM and RF 70–200mm F2.8 are 82 mm. RF 24–105mm F4 is 77 mm — a step-up, not the first thread.
At 24p, 1/50, f/2.8, ISO 800 in noon sun, sunny-16 wants more than five stops. A 2–5 is the stills / Canon 709 / low-ISO add-on. Dual Pixel AF and a cooling grip (optional) do not insert ND. 8K RAW to a VPG 400 CFexpress card also has no ND in the codec. 4K120 wants ~1/250; the crop/readout change is not extra stops.
This is the same 82 mm PolarPro 6–9 SKU as the a7S III / FX5 articles. The pairing is Canon: C-Log2 ISO 800, 8K RAW, RF mount. Do not buy 67 mm because an APS-C Canon kit zoom is 67 mm — that is an R7/R10 problem.
- 6–9 matches C-Log2 ~ISO 800 and 8K/4K daylight
- 82 mm is RF 24–70 / 70–200 F2.8
- Hard stops on a 45MP stills/video hybrid
- Too dark for ISO 100 stills and Canon 709 interiors — that is the 2–5
- Does not replace a Cinema EOS internal ND wheel
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NiSi True Color ND-VARIO 6–9 Stop (82mm) View on Amazon View on B&H
| Range | 6–9 stops |
|---|---|
| Mount | 82 mm RF |
| Best for | C-Log2 / Cinema Gamut + Fine Tuning |
True Color 6–9 when the R5 Mark II has to match a C80 / C400 on Cinema Gamut.
C-Log2 + Cinema Gamut is the R5 Mark II’s match pipeline to Cinema EOS. A yellow VND shows up in that grade. NiSi’s 6–9 True Color is the Value alternative in the same 82 mm thread. Fine Tuning marks 6–9 for 1/50 at 24p and 1/240 at 4K120.
- True Color for C-Log2
- Fine Tuning
- Same 82 mm as PolarPro
- Lever vs RF hood / cage
- Still need a 2–5 for stills ISO 100
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K&F Concept Nano-X Variable ND64–512 (82mm) View on Amazon View on B&H
| Range | 6–9 stops (ND64–512) |
|---|---|
| Mount | 82 mm RF |
| Best for | First C-Log2 6–9 |
Cheap 6–9 for C-Log2 noon. Confirm KF01.1856. ND2–400 is the wrong RF filter.
KF01.1856 is the 82 mm Nano-X 6–9. RF 24–70 F2.8 takes it the same way an FE 24–70 GM II does. Stay off the last ½ stop. This is daylight C-Log2 glass, not a stills 2–5.
- Correct 82 mm 6–9 SKU
- C-Log2 noon range
- No hard stops
- Easy to add ND2–32 by mistake
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If You Need Something Else
NiSi True Color 1–5 82 mm View on Amazon View on B&H
shade stills / 709.
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77 mm PolarPro 2–5 View on Amazon View on B&H
RF 24–105 F4 as a travel zoom. Step-up 77→82 is fine if 82 mm is already the A-filter.
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Cooling fan grip View on Amazon View on B&H
longer 8K record times. Not ND.
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Frequently Asked Questions
Does the R5 Mark II have a built-in ND like Cinema EOS?
No. Internal ND is a Cinema EOS (e.g. C80) feature. The R5 Mark II needs a filter on the RF lens.
Why 6–9 instead of 2–5?
C-Log2 is commonly used around ISO 800. Combined with 8K / 4K daylight at 1/50, five stops run out. 2–5 is the ISO 100 stills add-on.
Is C-Log2 ISO 800 official Canon dual-base?
CineD lists ISO 800 as C-Log2 base sensitivity on this body. Canon’s stills native remains ISO 100. Do not use stills ISO 100 as the Log exposure.
Will a Sony 82 mm PolarPro 6–9 fit RF 24–70?
Yes. 82 mm is 82 mm. The R5 II-specific facts are C-Log2, 8K RAW, and RF mount — not a new diameter.
What about RF 24–105 F4 at 77 mm?
Buy 77 mm or a 77→82 step-up. Do not make 77 mm the only filter if the F2.8 L zooms are the A-lenses.
Does IBIS replace ND?
No. IBIS holds a long still. It does not cut C-Log2 noon at 1/50.
Final Verdict
The R5 Mark II is a 45MP stacked hybrid with 8K RAW, 4K120, C-Log2 around ISO 800, and no internal ND. Start with the PolarPro 6–9 82 mm on RF 24–70 / 70–200. Use NiSi 6–9 for Cinema Gamut match jobs. Use K&F KF01.1856 as the cheap 6–9. Add a 2–5 for ISO 100 stills. Do not copy a C80 internal-ND workflow onto this body.