{"id":9712,"date":"2026-09-02T02:58:00","date_gmt":"2026-09-02T02:58:00","guid":{"rendered":"https:\/\/www.cameraegg.org\/camerareview\/best-nd-filters-for-sony-a6700\/"},"modified":"2026-09-16T08:38:18","modified_gmt":"2026-09-16T08:38:18","slug":"best-nd-filters-for-sony-a6700","status":"publish","type":"post","link":"https:\/\/www.cameraegg.org\/camerareview\/best-nd-filters-for-sony-a6700\/","title":{"rendered":"Best ND Filters for Sony a6700"},"content":{"rendered":"<div class=\"gagen-article gagen-v2\"><div class=\"article-intro\">\n  <p>The Sony a6700 is a 26 MP APS-C Exmor R hybrid with no internal ND. Movie ISO starts at 100. 4K\/60 is 6K-oversampled across the sensor; 4K\/120 adds a crop. 180\u00b0 shutter at f\/2.8 still raises the speed until 24p looks like a slideshow. Mechanical stills stop at 1\/4000. Sony does not sell an a6700 ND. The 2026 filter that matches this body is the PolarPro Peter McKinnon Signature Edition II 67 mm 2\u20135 stop. It is not the FX3\u2019s 82 mm 6\u20139 LOG default, and it is not a 40.5 mm ring sized only for the kit power zoom.<\/p>\n<\/div>\n\n<div class=\"quick-picks-box\">\n  <div class=\"qp-header\">\n  <h2>Our Top Picks at a Glance<\/h2>\n  <p class=\"qp-sub\">Updated September 2026 \u00b7 a6700 \u00b7 ILCE-6700 \u00b7 APS-C 26 MP \u00b7 no internal ND \u00b7 4K60 6K \u00b7 4K120 crop \u00b7 S-Log3 14+ stops \u00b7 XAVC S-I 600 Mbps \u00b7 67 mm first<\/p>\n  <\/div>\n  <div class=\"qp-cards\">\n  <div class=\"qp-card qp-card--gold\">\n  <span class=\"qp-num\">01<\/span>\n  <span class=\"qp-badge\">\ud83c\udfc6 Best Overall<\/span>\n  <strong class=\"qp-name\">PolarPro PM Edition II 2\u20135<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2605 <span class=\"qp-score\">4.7 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">67-2\/5-VND-ED2. Hard-stop 2\u20135. PolarPro: general photo \/ video. Zero vignette to 16 mm.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#best-overall\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <div class=\"qp-card qp-card--green\">\n  <span class=\"qp-num\">02<\/span>\n  <span class=\"qp-badge\">\ud83d\udc8e Best Value<\/span>\n  <strong class=\"qp-name\">NiSi True Color VND 1\u20135<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2606 <span class=\"qp-score\">4.6 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">NIR-TCVND0.3-1.5-67. True Color, hard stops. Swift ND16 expands to 5\u20139.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#best-value\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <div class=\"qp-card qp-card--blue\">\n  <span class=\"qp-num\">03<\/span>\n  <span class=\"qp-badge\">\ud83d\udcb0 Budget Pick<\/span>\n  <strong class=\"qp-name\">K&#038;F Nano-X ND2\u201332<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2606 <span class=\"qp-score\">4.4 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">KF01.1802V1. 67 mm, 1\u20135 stops, no-X claim. Not the ND2\u2013400.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#budget-pick\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <\/div>\n<\/div>\n\n<div class=\"affiliate-disclosure\"><p><em>Disclosure: This page contains affiliate links. As an Amazon Associate affiliate, we earn a small commission from qualifying purchases at no extra cost to you.<\/em><\/p><\/div>\n\n<div class=\"info-module buying-guide\" id=\"who-should-buy\">\n  <h3>Who should buy what<\/h3>\n  <ul>\n  <li><strong>Default a6700 (stills + S-Cinetone at ISO 100, 4K\/24\u201360, E 16\u201355 G or 70\u2013350 G):<\/strong> <a href=\"#best-overall\">PolarPro Peter McKinnon Edition II 67 mm 2\u20135<\/a> \u2014 PolarPro\u2019s own line is 2\u20135 for general photo \/ video. Hard stops. Printed zero vignetting to 16 mm. Buy 67 mm and step-up rings for 55 \/ 52 \/ 49.<\/li>\n  <li><strong>True Color 1\u20135 you can expand later, or mixed interiors that sometimes hit noon:<\/strong> <a href=\"#best-value\">NiSi True Color 1\u20135 (NIR-TCVND0.3-1.5-67)<\/a> \u2014 press on the Swift ND16 when S-Log3 near ISO 800 needs 5\u20139.<\/li>\n  <li><strong>Same 1\u20135 hard-stop idea, cheaper cart:<\/strong> <a href=\"#budget-pick\">K&#038;F Nano-X ND2\u201332 KF01.1802V1<\/a> \u2014 not ND2\u2013400. S-Log3 noon at f\/2.8 still wants more stops; stop down or add a fixed ND.<\/li>\n  <li><strong>The other PolarPro range (S-Log3 noon, 2\u201330 s water \/ clouds):<\/strong> <a href=\"#polarpro-69\">PolarPro Edition II 67 mm 6\u20139<\/a> \u2014 PolarPro: 6\u20139 is LOG \/ ISO over 400 \/ long exposure. Not the first buy on a hybrid that lives at ISO 100.<\/li>\n  <li><strong>Skip:<\/strong> No-hard-stop ND2\u2013400 \/ \u201c1\u201310 stop\u201d VNDs (X-pattern). Stacking two variable NDs. A 40.5 mm filter as the only size when a 16\u201355 G is coming. An 82 mm FF filter as the a6700 default. FX6 electronic ND. This URL is the a6700, not the a7 IV, not the FX30, and not the older accessories roundup.<\/li>\n  <\/ul>\n<\/div>\n\n<h2>Comparison Table<\/h2>\n<div class=\"comparison-module\">\n  <table class=\"comparison-table\">\n  <thead><tr><th>Product<\/th><th>Stops<\/th><th>On an a6700<\/th><th>Thread \/ note<\/th><th>Price<\/th><th>Buy<\/th><\/tr><\/thead>\n  <tbody>\n  <tr class=\"highlight-row\"><td><strong>PolarPro PM II 2\u20135<\/strong><\/td><td>2\u20135 (ND4\u2013ND32)<\/td><td>Default ISO 100 APS-C hybrid<\/td><td>67 mm \u00b7 hard stops \u00b7 to 16 mm<\/td><td>~$250<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>NiSi True Color 1\u20135<\/strong><\/td><td>1\u20135 (+ Swift ND16 = 5\u20139)<\/td><td>True Color; expand for LOG noon<\/td><td>67 mm \u00b7 72 mm front<\/td><td>~$160\u2013$200<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>K&#038;F Nano-X ND2\u201332<\/strong><\/td><td>1\u20135<\/td><td>Budget hard-stop 1\u20135<\/td><td>KF01.1802V1 \u00b7 67 mm<\/td><td>~$60\u2013$80<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>PolarPro PM II 6\u20139<\/strong><\/td><td>6\u20139 (ND64\u2013ND512)<\/td><td>S-Log3 noon \u2014 Layer 2<\/td><td>67-6\/9-VND-ED2 \u00b7 to 16 mm<\/td><td>~$250<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>ND2\u2013400 \/ 1\u201310 VND<\/strong><\/td><td>~1\u20138.6, no hard stop<\/td><td>X-pattern \u2014 skip<\/td><td>Wide-range two-polarizer junk<\/td><td>~$25\u2013$45<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <\/tbody>\n  <\/table>\n<\/div>\n<p>Street prices move. PolarPro\u2019s 67 mm Edition II often sits around $250; NiSi True Color 1\u20135 around $160\u2013$200; K&#038;F Nano-X ND2\u201332 around $60\u2013$80. ND4 is 2 stops, ND32 is 5, ND64 is 6, ND512 is 9. 180-degree shutter is \u2248 2\u00d7 fps: ~1\/48 at 24, ~1\/60 at 30, ~1\/120 at 60, ~1\/240 at 120. S-Cinetone at ISO 100 \/ f\/2.8 \/ 1\/48 is about six stops \u2014 2\u20135, or f\/4 inside that range. S-Log3 on this sensor is typically worked near ISO 800 (CineD\u2019s a6700 lab used ISO 800 \/ 2500) \u2014 that is three more stops and the 6\u20139 ring, not the first hybrid buy. Sony does not sell a circular ND for this body. Buy 67 mm first (E 16\u201355 mm F2.8 G and E 70\u2013350 mm G OSS are 67 mm). Step-up rings cover 55 mm (18\u2013135) and 52 \/ 49 primes. The kit E PZ 16\u201350 mm OSS II is 40.5 mm \u2014 do not make that the only VND. XAVC S-I 4K 59.94p is 600 Mbps on a single UHS-II SD slot \u2014 that is a V90 card problem, not an ND problem. Do not stack two variable NDs.<\/p>\n\n<h2>How We Picked These Filters<\/h2>\n<ul>\n  <li><strong>What Sony published for this body:<\/strong> ILCE-6700 spec sheet: E-mount. APS-C 23.3 \u00d7 15.5 mm Exmor R CMOS. Approx. 27.0 MP total; 26.0 MP effective stills (6192 \u00d7 4128); 19.9 MP effective movies. BIONZ XR plus AI processing unit. Stills ISO 100\u201332000, expandable 50\u2013102400. Movies ISO 100\u201332000 equivalent. Shutter: mechanical stills 1\/4000\u201330 s, Bulb; electronic stills 1\/8000\u201330 s; movies 1\/8000\u20131 s. Flash sync 1\/160. 4K up to 60p with 6K oversampling (Sony). 4K 120p\/100p in-camera (Sony); DPReview: ~1.58\u00d7 crop. XAVC S-I 4K 59.94p 600 Mbps \/ 50p 500 \/ 29.97p 300 \/ 23.98p 240, 10-bit 4:2:2. XAVC HS 4K 119.88p up to 280 Mbps 4:2:2 10-bit. S-Cinetone, S-Log3 (Sony: 14+ stops of latitude), HLG, user LUTs. HDMI: micro Type-D, 4K to 59.94p 4:2:2 10-bit. Spec: RAW output \u201c\u2013\u201d. Single SD slot (UHS-I\/II) \u2014 no CFexpress. IBIS 5.0 stops (CIPA, FE 50 mm F1.2 GM). Active \/ Standard \/ Off for movies. EVF 2.36 M dots; 3.0-type 1.04 M-dot vari-angle LCD. Weight approx. 409 g body only, 493 g with battery and card. Body 122.0 \u00d7 69.0 \u00d7 75.1 mm. NP-FZ100. 11 fps Hi+. No Pixel Shift. No Dual Gain. No 8K. Sony does not sell an a6700 ND set. There is no built-in ND, unlike the FX6.<\/li>\n  <li><strong>Why ISO 100 still needs glass \u2014 and why 2\u20135 \/ 67 mm is Overall here:<\/strong> Movie shutter on this body goes to 1 s, not 1\/4000. 180\u00b0 at 24p is ~1\/48. Sunny-16 at ISO 100 \/ f\/2.8 \/ 1\/48 is ~6 stops; at f\/4 it falls inside 2\u20135. PolarPro prints 2\u20135 for general photo \/ video and 6\u20139 for LOG \/ ISO over 400. That split matches this hybrid: S-Cinetone lives at ISO 100; S-Log3 is a 14+-stop grade, not a Cine EI 800 cinema body. Mechanical stills stop at 1\/4000 \u2014 electronic 1\/8000 can freeze a portrait; 2\u201330 s water cannot. 4K\/120 still wants ~1\/240 and still has no iris inside the body. Active Mode is a slight crop, not an ND. A no-hard-stop 1\u201310 VND draws an X \u2014 worse on 6K-oversampled 4K60 than on an 8-bit proxy. This is not the a7 IV (full-frame, 82 mm first) and not the FX30 (APS-C cinema, Cine EI).<\/li>\n  <li><strong>67 mm, the 40.5 mm kit trap, and the cheap-VND trap:<\/strong> Standardize on 67 mm: E 16\u201355 mm F2.8 G (SEL1655G) and E 70\u2013350 mm G OSS are 67 mm. E 18\u2013135 mm is 55 mm \u2014 use a step-up ring. The kit E PZ 16\u201350 mm F3.5\u20135.6 OSS II (SELP16502) is 40.5 mm; a 40.5 mm VND will not mount on the 16\u201355. PolarPro Edition II claims zero vignetting to 16 mm and uses hard stops; the front is unthreaded. NiSi True Color 1\u20135 67 mm uses a 72 mm front thread and a Swift ND16 press-on for 5\u20139. K&#038;F\u2019s hard-stop 1\u20135 is KF01.1802V1; the 82 mm sibling is KF01.1805V1 \u2014 wrong thread for this kit. ND2\u2013400 is the wide-range skip. Mounting an FE 24\u201370 GM II (82 mm) on the a6700 is a second filter, not a reason to skip 67 mm for the APS-C zooms. 4K\/120\u2019s extra crop does not add internal ND.<\/li>\n<\/ul>\n\n<h2>Best ND Filters for Sony a6700: Detailed Reviews<\/h2>\n\n<div class=\"top-recommendation\" id=\"best-overall\" data-badge=\"best-overall\">\n  <div class=\"top-badge badge-best-overall\">\ud83c\udfc6 Best Overall<\/div>\n  <h3>PolarPro Peter McKinnon Signature Edition II 67mm 2\u20135 Stop <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> ISO 100 stills + S-Cinetone \/ 4K60 6K on the a6700 that has no internal ND \u2014 PolarPro\u2019s general ring on 16\u201355 G at 16 mm<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> 67-2\/5-VND-ED2 \u00b7 2\u20135 stops \u00b7 hard stops \u00b7 CinemaSeries \u00b7 to 16 mm<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.7 \/ 5.0 \u2605\u2605\u2605\u2605\u2605<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>MFR 67-2\/5-VND-ED2 \u00b7 PolarPro SG-EDll-67-2\/5 \u00b7 UPC 817465026021. 67 mm rear thread. Density 0.6\u20131.5 (ND4\u2013ND32). CinemaSeries \/ fused quartz. Haptic clicks. Defender360 case. Street ~$250.<\/td><\/tr>\n  <tr><th>On a6700<\/th><td>PolarPro: 2\u20135 for general photo \/ video. Printed zero vignetting to 16 mm \u2014 that is the 16\u201355 G wide end on a 6K-oversampled 4K60 frame. Front is unthreaded; do not plan to stack a second screw-in. Mechanical 1\/4000 can freeze many stills. It cannot hold 180\u00b0 at ISO 100.<\/td><\/tr>\n  <tr><th>Not the LOG ring<\/th><td>PolarPro\u2019s 6\u20139 is LOG \/ ISO over 400. S-Log3 noon on this body is Layer 2, not the first APS-C hybrid buy. Do not copy an FX3 82 mm 6\u20139 cart onto a 67 mm 16\u201355.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>Edition II 82 mm 2\u20135 (right range, wrong thread for APS-C G zooms). Edition II 67 mm 6\u20139 (same $250, wrong first range). Helix MagLock. Peter McKinnon Edition I. A 40.5 mm kit-lens VND as the only filter.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it fits the a6700.<\/strong> This body is a 26 MP APS-C hybrid, not a Cine EI cinema camera. ISO 100 S-Cinetone at a cinematic shutter is a 2\u20135-stop problem most weeks, and PolarPro built this ring for that sentence in 67 mm. Hard stops are why it is Overall and a $30 ND2\u2013400 is not \u2014 6K-oversampled 4K60 will show an X that an 8-bit proxy hid. Buy 67 mm once; step-up the 55 mm 18\u2013135. Buy NiSi first if you want a True Color 1\u20135 you can Swift-expand when S-Log3 noon shows up. 600 Mbps XAVC S-I is a V90 SD choice \u2014 this body has no CFexpress slot.<\/p>\n  <p><strong>Skip this if<\/strong> the week is S-Log3 parking-lot noon or 10-second water \u2014 PolarPro 6\u20139 or NiSi 1\u20135 plus Swift ND16. Skip an 82 mm copy when the 16\u201355 G is 67 mm.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>Hard-stop 2\u20135 matches ISO 100 APS-C weeks<\/li>\n  <li>67 mm matches 16\u201355 G and 70\u2013350 G<\/li>\n  <li>Haptic stops; Defender360; 16 mm claim<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>Front unthreaded \u2014 no screw-in stack<\/li>\n  <li>6\u20139 is a second $250 if the week is actually S-Log3 noon<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"best-value\" data-badge=\"best-value\">\n  <div class=\"top-badge badge-best-value\">\ud83d\udc8e Best Value<\/div>\n  <h3>NiSi True Color ND-VARIO Pro Nano 1\u20135 Stop 67mm <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=NiSi%20True%20Color%20VND%2067mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> True Color 1\u20135 with a press-on path to 5\u20139 \u2014 S-Cinetone and shade, then Swift ND16 when S-Log3 hits noon<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> NIR-TCVND0.3-1.5-67 \u00b7 hard stops \u00b7 72 mm front \u00b7 Swift ND16 optional<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.6 \/ 5.0 \u2605\u2605\u2605\u2605\u2606<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>NIR-TCVND0.3-1.5-67 \u00b7 EAN 6972949372910. 1\u20135 stops (0.3\u20131.5). Nano coat. Removable lever. 72 mm front thread. Street ~$160\u2013$200. Swift 1\u20139 kit is NIR-TCVNDSWIFT-KIT0.3-2.7-67 if you want the ND16 in the same box.<\/td><\/tr>\n  <tr><th>On a6700<\/th><td>Hard stops, True Color claim, useful from ISO 100 interiors to open shade. Five stops covers most S-Cinetone noon if you can sit near f\/4. S-Log3 near ISO 800 \/ f\/2.8 \/ 1\/48 still wants more \u2014 that is the Swift ND16 (4 stops) press-on, which NiSi says turns this ring into 5\u20139 without an X.<\/td><\/tr>\n  <tr><th>Wide glass<\/th><td>B&#038;H language on this 1\u20135 is conservative on ultra-wide (often 35 mm FF \/ ~28 mm APS-C). PolarPro is the ring that prints 16 mm. On a 16\u201355 G at 16 mm, treat PolarPro 2\u20135 as the safer wide claim.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>82 mm True Color (NIR-TCVND0.3-1.5-82) when the zoom is 67 mm. Older NiSi ND-VARIO 5\u20139 Enhanced \u2014 not True Color. Swift kits that are Black Mist only. 40.5 mm \u201ckit\u201d True Color as the only filter.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it is Value, not Overall.<\/strong> It is the cheaper True Color hard-stop VND, and the Swift ND16 is a real 5\u20139 path. It is not the one-ring ISO 100 default PolarPro already cut as 2\u20135 in 67 mm. Buy this if S-Cinetone \/ mixed interiors are the week and S-Log3 noon is the exception you expand for. Buy PolarPro if the job starts at ISO 100 and the 16\u201355 stays at 16 mm.<\/p>\n  <p><strong>Skip this if<\/strong> every setup is ISO 100 S-Cinetone and you do not want a second piece of glass \u2014 PolarPro 2\u20135.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>True Color + hard stops under PolarPro money<\/li>\n  <li>Swift ND16 expands to 5\u20139 for S-Log3 noon<\/li>\n  <li>72 mm front thread if you must stack a fixed<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>1\u20135 alone is short for S-Log3 at f\/2.8 noon<\/li>\n  <li>16 mm claim is PolarPro\u2019s, not this page\u2019s<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=NiSi%20True%20Color%20VND%2067mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"budget-pick\" data-badge=\"budget-pick\">\n  <div class=\"top-badge badge-budget\">\ud83d\udcb0 Budget Pick<\/div>\n  <h3>K&#038;F Concept Nano-X ND2\u201332 Variable ND 67mm <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20Nano-X%20ND2-32%2067mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> A named 1\u20135 hard-stop VND when the invoice cannot be PolarPro or NiSi<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> KF01.1802V1 \u00b7 ND2\u201332 \u00b7 67 mm \u00b7 not ND2\u2013400<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.4 \/ 5.0 \u2605\u2605\u2605\u2605\u2606<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>K&#038;F CONCEPT Nano-X \/ Nano-Xcel ND2\u201332 67 mm KF01.1802V1. 1\u20135 stops (0.3\u20131.5). Japanese AGC glass, 28-layer coat, ~7.3 mm ring. K&#038;F: no X-cross in this range. Street ~$60\u2013$80. Use a 72 mm cap.<\/td><\/tr>\n  <tr><th>On a6700<\/th><td>Same 1\u20135 math as NiSi without the True Color \/ Swift sentence. Fine for S-Cinetone and overcast. S-Log3 \/ f\/2.8 \/ 1\/48 in sun still needs more \u2014 stop down, raise frame rate, or add a fixed ND64, do not buy ND2\u2013400 to \u201cget nine stops\u201d on a 6K-oversampled file.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>KF01.1805V1 (82 mm). True Color KF01.2079 \/ KF01.2158 if you wanted this Nano-X line. 67 mm ND2\u2013400. ND2\u201332 + Black Mist \/ CPL 2-in-1 as the first a6700 ND. A 40.5 mm ring sized only for the 16\u201350 II.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it is Budget.<\/strong> Hard-stop 1\u20135, 67 mm, one cheap invoice, a printed SKU. You give up CinemaSeries, True Color branding, and PolarPro\u2019s 16 mm print. The only way this pick fails is Amazon merging it with ND2\u2013400 or an 82 mm listing. If the week is S-Log3 parking-lot noon, spend the extra on PolarPro 6\u20139 (Layer 2), not on a wider-range cheap VND.<\/p>\n  <p><strong>Skip this if<\/strong> the listing says ND2\u2013400, 1\u20139, 1\u201310, or 82 mm.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>Named 1\u20135 SKU under $80<\/li>\n  <li>K&#038;F no-X claim in the ND2\u201332 range<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>Not enough for noon S-Log3 at f\/2.8<\/li>\n  <li>Amazon will also show ND2\u2013400 and 82 mm<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20Nano-X%20ND2-32%2067mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<h2>If You Need Something Else<\/h2>\n<p>These two are not cheaper versions of the Top 3. One is PolarPro\u2019s LOG \/ long-exposure ring in the same 67 mm thread. One is the wide-range VND Amazon will try to sell next to the Nano-X.<\/p>\n\n<div class=\"top-recommendation\" id=\"polarpro-69\" data-badge=\"also-great\">\n  <div class=\"top-badge badge-also-great\">\u2600 S-Log3 \/ long stills<\/div>\n  <h3>PolarPro Peter McKinnon Signature Edition II 67mm 6\u20139 Stop <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <table class=\"spec-table\">\n  <tr><th>What it is<\/th><td>MFR 67-6\/9-VND-ED2 \u00b7 SG-EDll-67-6\/9 \u00b7 UPC 817465026052. 6\u20139 stops (ND64\u2013ND512, 1.8\u20132.7). Same CinemaSeries, haptic, Defender360, 16 mm claim, unthreaded front, ~$250 as the 2\u20135.<\/td><\/tr>\n  <tr><th>When it wins<\/th><td>PolarPro: 6\u20139 is LOG \/ ISO over 400 \/ long exposure. S-Log3 noon at f\/2.8 \/ 1\/48. 2\u201330 s water and clouds at ISO 100. Pair with the 2\u20135 if the a6700 does both S-Cinetone weeks and one S-Log3 commercial. Not the first buy if the job is ISO 100 stills and S-Cinetone.<\/td><\/tr>\n  <tr><th>Helix sibling<\/th><td>PolarPro Helix MagLock stays off the Top 3 \u2014 different base rings, more money. An 82 mm 6\u20139 is for FE GM glass mounted on this body, not the APS-C default.<\/td><\/tr>\n  <\/table>\n  <p>Buy this after 2\u20135 is already in the pouch, or when S-Log3 noon \/ long stills are the look. Do not buy it as a substitute for the hybrid default.<\/p>\n  <p><strong>Skip this if<\/strong> the week is ISO 100 S-Cinetone \u2014 PolarPro 2\u20135.<\/p>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2067mm%206-9&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"skip-nd400\" data-badge=\"premium\">\n  <div class=\"top-badge badge-premium\">\ud83d\udeab Skip as default<\/div>\n  <h3>ND2\u2013400 \/ \u201c1\u201310 stop\u201d variable NDs <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <table class=\"spec-table\">\n  <tr><th>Why it shows up<\/th><td>Amazon titles say \u201c67mm Variable ND\u201d next to the Nano-X. One ring claims ~1\u20139 stops. There are no hard stops at 5 or 6. That is where the X-pattern lives \u2014 worst on a 16\u201355 G at 16 mm in 6K-oversampled 4K60, which is exactly the a6700 run-and-gun wide end.<\/td><\/tr>\n  <tr><th>On a6700<\/th><td>26 MP stills and 10-bit 4:2:2 will show the color cast and the X. Buy KF01.1802V1 (1\u20135) or PolarPro 2\u20135. Same skip: generic 1\u201310 VNDs, stacking two variables, a 40.5 mm filter as the only size on a 16\u201350 II kit that will be replaced by a 67 mm zoom, and any listing that implies the a6700 has built-in ND like the FX6.<\/td><\/tr>\n  <\/table>\n  <p>A $30 1\u201310 is not a 2\u20135 with haptic clicks. If the camera in the bag is an a6700, the cart says 67-2\/5-VND-ED2, NIR-TCVND0.3-1.5-67, or KF01.1802V1.<\/p>\n  <p><strong>Skip this if<\/strong> the body is an a6700 and the lens is wider than 24 mm (APS-C). Buy PolarPro 2\u20135, NiSi True Color 1\u20135, or K&#038;F ND2\u201332.<\/p>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20ND2-400%2067mm%20Variable%20ND&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<h2>Frequently Asked Questions<\/h2>\n<div class=\"faq-module\">\n  <div class=\"faq-item\"><h3>What ND strength the a6700 needs<\/h3><p>There is no internal ND. Movie ISO starts at 100. 180-degree shutter is \u2248 2\u00d7 fps: about 1\/48 at 24p, 1\/60 at 30p, 1\/120 at 4K\/60, 1\/240 at 4K\/120. Sunny-16 at ISO 100, f\/2.8, and 1\/48 is ~6 stops \u2014 2\u20135 covers it if you can sit at f\/4 in the hardest sun. S-Log3 is typically worked near ISO 800 on this sensor (CineD: ISO 800 \/ 2500) \u2014 that is PolarPro 6\u20139 or NiSi 1\u20135 plus Swift ND16. Mechanical stills stop at 1\/4000; electronic stills at 1\/8000. They can replace ND for a frozen portrait. They cannot replace ND for video or for a 2\u201330 s still.<\/p><\/div>\n  <div class=\"faq-item\"><h3>67 mm vs the 40.5 mm kit vs 82 mm FE glass<\/h3><p>Buy 67 mm first. E 16\u201355 mm F2.8 G and E 70\u2013350 mm G OSS are 67 mm. Step-up rings take 55 mm (18\u2013135) and smaller primes up to that one VND. The kit E PZ 16\u201350 mm OSS II is 40.5 mm \u2014 a 40.5 mm filter will not mount on the 16\u201355. An 82 mm PolarPro is for FE 24\u201370 \/ 16\u201335 GM II if those live on the a6700; it is a second ring, not the APS-C default. PolarPro Edition II\u2019s front is unthreaded; NiSi True Color 1\u20135 67 mm has a 72 mm front.<\/p><\/div>\n  <div class=\"faq-item\"><h3>4K\/120 crop vs 4K\/60 6K oversampling<\/h3><p>Sony: 4K up to 60p uses 6K oversampling. 4K 120p is a separate high-frame-rate mode; DPReview measures about a 1.58\u00d7 crop. The crop changes angle of view. It does not add an iris ND. 180\u00b0 at 120p is ~1\/240, so you need fewer stops than at 24p \u2014 still a filter, not a menu. Do not buy a smaller-thread VND \u201cbecause 4K\/120 crops.\u201d The 16\u201355 G is still 67 mm.<\/p><\/div>\n  <div class=\"faq-item\"><h3>a6700 vs a7 IV vs FX30 glass<\/h3><p>Same E-mount. a7 IV is full-frame: 82 mm first, 4K\/60 Super 35, no 4K\/120. FX30 is APS-C cinema (Cine EI, no stills-first hybrid) \u2014 its daylight LOG cart is 6\u20139, not this page\u2019s 2\u20135. This page is ILCE-6700. Sony does not put electronic ND in any of these. The FX6 (1\/4\u20131\/128) is a different body.<\/p><\/div>\n  <div class=\"faq-item\"><h3>The 600 Mbps codec, single SD slot, and ND<\/h3><p>XAVC S-I 4K 59.94p is 600 Mbps. The a6700 has one UHS-II SD slot \u2014 no CFexpress Type A. That is a V90 card, not an ND. Movie shutter is 1\/8000\u20131 s. Active Mode is stabilization (Sony: slight crop). HDMI is micro Type-D to 4K\/60; spec lists no RAW output. Do not buy an ND \u201cfor external RAW.\u201d<\/p><\/div>\n<\/div>\n\n<h2>Final Verdict<\/h2>\n<div class=\"conclusion-module verdict-box\">\n  <div class=\"verdict-picks\">\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83c\udfc6 Best Overall:<\/span>\n  <div class=\"verdict-product\"><strong>PolarPro PM Edition II 2\u20135<\/strong> <span class=\"verdict-reason\">\u2013 67-2\/5-VND-ED2, hard-stop 2\u20135, 16 mm claim.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2067mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83d\udc8e Best Value:<\/span>\n  <div class=\"verdict-product\"><strong>NiSi True Color VND 1\u20135<\/strong> <span class=\"verdict-reason\">\u2013 NIR-TCVND0.3-1.5-67. Swift ND16 for 5\u20139.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83d\udcb0 Budget Pick:<\/span>\n  <div class=\"verdict-product\"><strong>K&#038;F Nano-X ND2\u201332<\/strong> <span class=\"verdict-reason\">\u2013 KF01.1802V1, 67 mm, 1\u20135. Not ND2\u2013400.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2067mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <\/div>\n  <p class=\"verdict-summary\">For most Sony a6700 kits, buy PolarPro 67-2\/5-VND-ED2, shoot 67 mm with step-up rings, and keep 180\u00b0 shutter at ISO 100 without raising the movie speed. There is no internal ND. 1\/4000 mechanical stills are not a video ND. S-Log3 near ISO 800 in noon sun is PolarPro 6\u20139 (or NiSi 1\u20135 plus Swift ND16). Same 1\u20135 cheaper? K&#038;F KF01.1802V1. Skip ND2\u2013400, skip a 40.5 mm kit-only ring, skip the FX3 82 mm 6\u20139 cart unless the week is actually LOG on FE glass. 600 Mbps is a V90 SD. 4K\/120 is a crop, not an FX6 ND. This page is the a6700, not the a7 IV, not the FX30, and not the accessories roundup.<\/p>\n<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Sony a6700 is a 26 MP APS-C hybrid with no internal ND. 4K\/60 is 6K-oversampled. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 67mm 2\u20135 stop.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[188,8],"tags":[371,945,605,1218,1456,43,445],"class_list":["post-9712","post","type-post","status-publish","format-standard","hentry","category-filter","category-sony","tag-lens-filter","tag-nd-filter","tag-nd-filters","tag-nisi","tag-polarpro","tag-sony-a6700","tag-variable-nd"],"_links":{"self":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/comments?post=9712"}],"version-history":[{"count":1,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9712\/revisions"}],"predecessor-version":[{"id":9891,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9712\/revisions\/9891"}],"wp:attachment":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/media?parent=9712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/categories?post=9712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/tags?post=9712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}