{"id":9711,"date":"2026-09-02T02:55:00","date_gmt":"2026-09-02T02:55:00","guid":{"rendered":"https:\/\/www.cameraegg.org\/camerareview\/best-nd-filters-for-sony-a7-iv\/"},"modified":"2026-09-16T08:38:21","modified_gmt":"2026-09-16T08:38:21","slug":"best-nd-filters-for-sony-a7-iv","status":"publish","type":"post","link":"https:\/\/www.cameraegg.org\/camerareview\/best-nd-filters-for-sony-a7-iv\/","title":{"rendered":"Best ND Filters for Sony a7 IV"},"content":{"rendered":"<div class=\"gagen-article gagen-v2\"><div class=\"article-intro\">\n  <p>The Sony a7 IV is a 33 MP Exmor R hybrid with no internal ND. Movie ISO starts at 100. 4K\/30 is full-frame and 7K-oversampled; 4K\/60 is Super 35 only. 180\u00b0 shutter at f\/2.8 still raises the speed until 24p looks like a slideshow. Electronic stills stop at 1\/8000 \u2014 there is no 1\/16000 escape hatch. Sony does not sell an a7 IV ND. The 2026 filter that matches this body is the PolarPro Peter McKinnon Signature Edition II 82 mm 2\u20135 stop. It is not the FX3\u2019s 6\u20139 LOG default, and it is not a no-hard-stop 1\u201310 ring.<\/p>\n<\/div>\n\n<div class=\"quick-picks-box\">\n  <div class=\"qp-header\">\n  <h2>Our Top Picks at a Glance<\/h2>\n  <p class=\"qp-sub\">Updated September 2026 \u00b7 a7 IV \u00b7 ILCE-7M4 \u00b7 33 MP \u00b7 no internal ND \u00b7 4K30 FF 7K \u00b7 4K60 Super 35 \u00b7 S-Log ISO 800 \u00b7 XAVC S-I 600 Mbps \u00b7 82 mm first<\/p>\n  <\/div>\n  <div class=\"qp-cards\">\n  <div class=\"qp-card qp-card--gold\">\n  <span class=\"qp-num\">01<\/span>\n  <span class=\"qp-badge\">\ud83c\udfc6 Best Overall<\/span>\n  <strong class=\"qp-name\">PolarPro PM Edition II 2\u20135<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2605 <span class=\"qp-score\">4.7 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">82-2\/5-VND-ED2. Hard-stop 2\u20135. PolarPro: general photo \/ video. Zero vignette to 16 mm.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#best-overall\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <div class=\"qp-card qp-card--green\">\n  <span class=\"qp-num\">02<\/span>\n  <span class=\"qp-badge\">\ud83d\udc8e Best Value<\/span>\n  <strong class=\"qp-name\">NiSi True Color VND 1\u20135<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2606 <span class=\"qp-score\">4.6 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">NIR-TCVND0.3-1.5-82. True Color, hard stops. Swift ND16 expands to 5\u20139.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#best-value\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <div class=\"qp-card qp-card--blue\">\n  <span class=\"qp-num\">03<\/span>\n  <span class=\"qp-badge\">\ud83d\udcb0 Budget Pick<\/span>\n  <strong class=\"qp-name\">K&#038;F Nano-X ND2\u201332<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2606 <span class=\"qp-score\">4.4 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">KF01.1805V1. 82 mm, 1\u20135 stops, no-X claim. Not the ND2\u2013400.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#budget-pick\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <\/div>\n<\/div>\n\n<div class=\"affiliate-disclosure\"><p><em>Disclosure: This page contains affiliate links. As an Amazon Associate affiliate, we earn a small commission from qualifying purchases at no extra cost to you.<\/em><\/p><\/div>\n\n<div class=\"info-module buying-guide\" id=\"who-should-buy\">\n  <h3>Who should buy what<\/h3>\n  <ul>\n  <li><strong>Default a7 IV (stills + S-Cinetone \/ Creative Look at ISO 100, 4K\/24\u201330 full-frame, 16\u201335 or 24\u201370 GM glass):<\/strong> <a href=\"#best-overall\">PolarPro Peter McKinnon Edition II 82 mm 2\u20135<\/a> \u2014 PolarPro\u2019s own line is 2\u20135 for general photo \/ video. Hard stops. Printed zero vignetting to 16 mm. Buy 82 mm and step-up rings for 77 \/ 72 \/ 67.<\/li>\n  <li><strong>True Color 1\u20135 you can expand later, or mixed interiors that sometimes hit noon:<\/strong> <a href=\"#best-value\">NiSi True Color 1\u20135 (NIR-TCVND0.3-1.5-82)<\/a> \u2014 press on the Swift ND16 when S-Log3 at ISO 800 needs 5\u20139.<\/li>\n  <li><strong>Same 1\u20135 hard-stop idea, cheaper cart:<\/strong> <a href=\"#budget-pick\">K&#038;F Nano-X ND2\u201332 KF01.1805V1<\/a> \u2014 not ND2\u2013400. S-Log3 noon at ISO 800 \/ f\/2.8 still wants more stops; stop down or add a fixed ND.<\/li>\n  <li><strong>The other PolarPro range (S-Log3 noon, 2\u201330 s water \/ clouds):<\/strong> <a href=\"#polarpro-69\">PolarPro Edition II 82 mm 6\u20139<\/a> \u2014 PolarPro: 6\u20139 is LOG \/ ISO over 400 \/ long exposure. Not the first buy on a hybrid that lives at ISO 100.<\/li>\n  <li><strong>Skip:<\/strong> No-hard-stop ND2\u2013400 \/ \u201c1\u201310 stop\u201d VNDs (X-pattern). Stacking two variable NDs. Treating 4K\/60 Super 35 as if it were a7 V full-frame 4K\/60. A 67 mm filter as the only size when the kit lens is 24\u201370 GM II (82 mm). FX6 electronic ND. This URL is the a7 IV ND page \u2014 not the older \u201cbest filter\u201d roundup, not the a7 V, and not the a7R VI.<\/li>\n  <\/ul>\n<\/div>\n\n<h2>Comparison Table<\/h2>\n<div class=\"comparison-module\">\n  <table class=\"comparison-table\">\n  <thead><tr><th>Product<\/th><th>Stops<\/th><th>On an a7 IV<\/th><th>Thread \/ note<\/th><th>Price<\/th><th>Buy<\/th><\/tr><\/thead>\n  <tbody>\n  <tr class=\"highlight-row\"><td><strong>PolarPro PM II 2\u20135<\/strong><\/td><td>2\u20135 (ND4\u2013ND32)<\/td><td>Default ISO 100 hybrid<\/td><td>82 mm \u00b7 hard stops \u00b7 to 16 mm<\/td><td>~$250<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>NiSi True Color 1\u20135<\/strong><\/td><td>1\u20135 (+ Swift ND16 = 5\u20139)<\/td><td>True Color; expand for LOG noon<\/td><td>82 mm \u00b7 86 mm front<\/td><td>~$180\u2013$220<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>K&#038;F Nano-X ND2\u201332<\/strong><\/td><td>1\u20135<\/td><td>Budget hard-stop 1\u20135<\/td><td>KF01.1805V1 \u00b7 82 mm<\/td><td>~$70\u2013$90<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>PolarPro PM II 6\u20139<\/strong><\/td><td>6\u20139 (ND64\u2013ND512)<\/td><td>S-Log3 ISO 800 \u2014 Layer 2<\/td><td>82-6\/9-VND-ED2 \u00b7 to 16 mm<\/td><td>~$250<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>ND2\u2013400 \/ 1\u201310 VND<\/strong><\/td><td>~1\u20138.6, no hard stop<\/td><td>X-pattern \u2014 skip<\/td><td>Wide-range two-polarizer junk<\/td><td>~$30\u2013$50<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <\/tbody>\n  <\/table>\n<\/div>\n<p>Street prices move. PolarPro\u2019s 82 mm Edition II often sits around $250; NiSi True Color 1\u20135 around $180\u2013$220; K&#038;F Nano-X ND2\u201332 around $70\u2013$90. ND4 is 2 stops, ND32 is 5, ND64 is 6, ND512 is 9. 180-degree shutter is \u2248 2\u00d7 fps: ~1\/48 at 24, ~1\/50 at 25, ~1\/60 at 30, ~1\/120 at 60. S-Cinetone at ISO 100 \/ f\/2.8 \/ 1\/48 is about six stops \u2014 2\u20135, or f\/4 inside that range. Sony\u2019s S-Log native ISO is 800 (Sony: can drop to 200\u2013640). That is three more stops and the 6\u20139 ring, not the first hybrid buy. Sony does not sell a circular ND for this body. Buy 82 mm first (FE 24\u201370 mm GM II and FE 16\u201335 mm GM II are 82 mm); step-up rings cover 77 \/ 72 \/ 67. XAVC S-I 4K 59.94p is 600 Mbps \u2014 that is a CFexpress Type A \/ V90 problem, not an ND problem. Do not stack two variable NDs.<\/p>\n\n<h2>How We Picked These Filters<\/h2>\n<ul>\n  <li><strong>What Sony published for this body:<\/strong> ILCE-7M4 spec sheet: E-mount. 35.9 \u00d7 23.9 mm Exmor R CMOS (back-illuminated, not stacked). Approx. 34.1 MP total; 33.0 MP effective. BIONZ XR. Stills ISO 100\u201351200, expandable 50\u2013204800. Movies ISO 100\u201351200 equivalent, expandable to 102400. Shutter: stills 1\/8000\u201330 s, Bulb (mechanical and electronic \u2014 no 1\/16000). Movies 1\/8000\u20131\/4. Flash sync 1\/250 FF \/ 1\/320 APS-C. 4K 24p\/30p full-frame with 7K oversampling (Sony: 7032 \u00d7 3958). 4K 60p\/50p Super 35 only, full pixel readout, no binning. XAVC S-I 4K 59.94p 600 Mbps \/ 50p 500 \/ 29.97p 300 \/ 23.98p 240, 10-bit 4:2:2. XAVC HS 4K and XAVC S 4K also on the sheet. S&#038;Q shooting frame rates to 120 fps (NTSC) \/ 100 fps (PAL). Picture profiles: S-Cinetone, S-Log2, S-Log3 (Sony: 15+ stops), HLG. Sony UK: native S-Log sensitivity ISO 800; can be lowered two stops to ISO 200\u2013640. HDMI Type A (4K 10-bit 4:2:2) \u2014 no 16-bit RAW output. Slot 1: CFexpress Type A \/ SD; Slot 2: SD only. IBIS 5.5 stops (CIPA, FE 50 mm F1.4 ZA). Active Mode for movies. EVF 3.69 M dots; 3.0-type 1.04 M-dot vari-angle LCD. Weight approx. 658 g with battery and card. Body 131.3 \u00d7 96.4 \u00d7 79.8 mm. NP-FZ100. 10 fps Hi+. No Pixel Shift. No Dual Gain. No 8K. Sony does not sell an a7 IV ND set. There is no built-in ND, unlike the FX6.<\/li>\n  <li><strong>Why ISO 100 still needs glass \u2014 and why 2\u20135 is Overall here:<\/strong> Movie shutter on this body goes to 1\/4, not 1\/16000. 180\u00b0 at 24p is ~1\/48. Sunny-16 at ISO 100 \/ f\/2.8 \/ 1\/48 is ~6 stops; at f\/4 it falls inside 2\u20135. PolarPro prints 2\u20135 for general photo \/ video and 6\u20139 for LOG \/ ISO over 400. That split matches this hybrid: S-Cinetone and Creative Look live at ISO 100; S-Log3 is native ISO 800 per Sony. 33 MP stills can use 1\/8000 instead of ND for a frozen portrait; 2\u201330 s water and clouds cannot. 4K\/60 Super 35 still wants ~1\/120 and still has no iris inside the body. Active Mode is stabilization, not an ND. A no-hard-stop 1\u201310 VND draws an X \u2014 worse on 7K-oversampled 4K30 than on an 8-bit proxy. This is not the a7 V (FF 4K60, 1\/16000 electronic stills) and not the FX3 (Cine EI 800 \/ 12800, HDMI RAW).<\/li>\n  <li><strong>82 mm, the Super 35 trap, and the cheap-VND trap:<\/strong> Standardize on 82 mm: FE 24\u201370 mm F2.8 GM II and FE 16\u201335 mm F2.8 GM II are 82 mm. FE 24\u2013105 mm G and FE 70\u2013200 mm GM II are 77 mm \u2014 use a step-up ring, not a second 77 mm VND as the default. PolarPro Edition II claims zero vignetting to 16 mm and uses hard stops; the front is unthreaded. NiSi True Color 1\u20135 uses an 86 mm front thread and a Swift ND16 press-on for 5\u20139. K&#038;F\u2019s hard-stop 1\u20135 is KF01.1805V1; KF01.1393V1 \/ Nano-Klear ND2\u2013400 is the wide-range skip. 4K\/60 Super 35 crops the angle of view \u2014 it does not add internal ND. The kit 28\u201370 mm is 55 mm; do not buy a 55 mm VND as the only filter if a GM zoom is coming. The older Camera Review \u201cbest filter\u201d page for this body is a mixed UV \/ CPL \/ ND roundup. This URL is ND only.<\/li>\n<\/ul>\n\n<h2>Best ND Filters for Sony a7 IV: Detailed Reviews<\/h2>\n\n<div class=\"top-recommendation\" id=\"best-overall\" data-badge=\"best-overall\">\n  <div class=\"top-badge badge-best-overall\">\ud83c\udfc6 Best Overall<\/div>\n  <h3>PolarPro Peter McKinnon Signature Edition II 82mm 2\u20135 Stop <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> ISO 100 stills + S-Cinetone \/ 4K30 full-frame on the a7 IV that has no internal ND \u2014 PolarPro\u2019s general ring, including 16\u201335 at 16 mm<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> 82-2\/5-VND-ED2 \u00b7 2\u20135 stops \u00b7 hard stops \u00b7 CinemaSeries \u00b7 to 16 mm<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.7 \/ 5.0 \u2605\u2605\u2605\u2605\u2605<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>MFR 82-2\/5-VND-ED2 \u00b7 PolarPro SG-EDll-82-2\/5 \u00b7 UPC 817465026007. 82 mm rear thread. Density 0.6\u20131.5 (ND4\u2013ND32). CinemaSeries \/ fused quartz. Haptic clicks. Defender360 case. Street ~$250.<\/td><\/tr>\n  <tr><th>On a7 IV<\/th><td>PolarPro: 2\u20135 for general photo \/ video. Printed zero vignetting to 16 mm \u2014 that is the 16\u201335 GM II wide end on a 7K-oversampled 4K30 frame. Front is unthreaded; do not plan to stack a second screw-in. 1\/8000 stills can freeze a portrait. They cannot hold 180\u00b0 at ISO 100.<\/td><\/tr>\n  <tr><th>Not the LOG ring<\/th><td>Sony: S-Log native ISO 800. That is PolarPro\u2019s 6\u20139 sentence (LOG \/ ISO over 400), Layer 2 on this page. Do not buy 6\u20139 first because an FX3 or a7R VI article did.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>Edition II 6\u20139 (same $250, wrong first range for ISO 100 S-Cinetone). Helix MagLock 2\u20135 (different system). 77 mm when the kit zoom is 82 mm. Peter McKinnon Edition I.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it fits the a7 IV.<\/strong> This body is a 33 MP hybrid, not a Cine EI cinema camera. ISO 100 S-Cinetone at a cinematic shutter is a 2\u20135-stop problem most weeks, and PolarPro built this ring for that sentence. Hard stops are why it is Overall and a $40 ND2\u2013400 is not \u2014 7K-oversampled 4K30 will show an X that an 8-bit proxy hid. Buy 82 mm once; step-up the 77 mm and 67 mm primes. Buy NiSi first if you want a True Color 1\u20135 you can Swift-expand when S-Log3 noon shows up. 600 Mbps XAVC S-I is a card choice, not a reason to skip ND.<\/p>\n  <p><strong>Skip this if<\/strong> the week is S-Log3 parking-lot noon or 10-second water \u2014 PolarPro 6\u20139 or NiSi 1\u20135 plus Swift ND16. Skip a 77 mm copy when the 24\u201370 GM II is 82 mm.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>Hard-stop 2\u20135 matches ISO 100 hybrid weeks<\/li>\n  <li>PolarPro prints zero vignette to 16 mm<\/li>\n  <li>Haptic stops; Defender360<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>Front unthreaded \u2014 no screw-in stack<\/li>\n  <li>6\u20139 is a second $250 if the week is actually S-Log3 noon<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"best-value\" data-badge=\"best-value\">\n  <div class=\"top-badge badge-best-value\">\ud83d\udc8e Best Value<\/div>\n  <h3>NiSi True Color ND-VARIO Pro Nano 1\u20135 Stop 82mm <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=NiSi%20True%20Color%20VND%2082mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> True Color 1\u20135 with a press-on path to 5\u20139 \u2014 S-Cinetone and shade, then Swift ND16 when S-Log3 at ISO 800 hits noon<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> NIR-TCVND0.3-1.5-82 \u00b7 hard stops \u00b7 86 mm front \u00b7 Swift ND16 optional<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.6 \/ 5.0 \u2605\u2605\u2605\u2605\u2606<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>NIR-TCVND0.3-1.5-82 \u00b7 EAN 6972949372941. 1\u20135 stops (0.3\u20131.5). Nano coat. Removable lever. 86 mm front thread. Street ~$180\u2013$220. Swift 1\u20139 kit is NIR-TCVNDSWIFT-KIT0.3-2.7-82 (~$309\u2013$339) if you want the ND16 in the same box.<\/td><\/tr>\n  <tr><th>On a7 IV<\/th><td>Hard stops, True Color claim, useful from ISO 100 interiors to open shade. Five stops covers most S-Cinetone noon if you can sit near f\/4. S-Log3 at ISO 800 \/ f\/2.8 \/ 1\/48 still wants more \u2014 that is the Swift ND16 (4 stops) press-on, which NiSi says turns this ring into 5\u20139 without an X.<\/td><\/tr>\n  <tr><th>Wide glass<\/th><td>NiSi \/ B&#038;H language on this 1\u20135 is conservative on ultra-wide. PolarPro is the ring that prints 16 mm. On a 16\u201335 GM II at 16 mm, treat PolarPro 2\u20135 as the safer wide claim.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>Older NiSi ND-VARIO 5\u20139 Enhanced (NIR-VND1.5-2.7-82) \u2014 not True Color, and NiSi recommended 35 mm+. Swift add-on kits that are Black Mist only. 77 mm when the zoom is 82 mm.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it is Value, not Overall.<\/strong> It is the cheaper True Color hard-stop VND, and the Swift ND16 is a real 5\u20139 path. It is not the one-ring ISO 100 default PolarPro already cut as 2\u20135. Buy this if S-Cinetone \/ mixed interiors are the week and S-Log3 noon is the exception you expand for. Buy PolarPro if the job starts at ISO 100 and the 16\u201335 stays at 16 mm.<\/p>\n  <p><strong>Skip this if<\/strong> every setup is ISO 100 S-Cinetone and you do not want a second piece of glass \u2014 PolarPro 2\u20135.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>True Color + hard stops under PolarPro money<\/li>\n  <li>Swift ND16 expands to 5\u20139 for S-Log3 noon<\/li>\n  <li>86 mm front thread if you must stack a fixed<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>1\u20135 alone is short for S-Log3 ISO 800 at f\/2.8<\/li>\n  <li>16 mm claim is PolarPro\u2019s, not this page\u2019s<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=NiSi%20True%20Color%20VND%2082mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"budget-pick\" data-badge=\"budget-pick\">\n  <div class=\"top-badge badge-budget\">\ud83d\udcb0 Budget Pick<\/div>\n  <h3>K&#038;F Concept Nano-X ND2\u201332 Variable ND 82mm <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20Nano-X%20ND2-32%2082mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> A named 1\u20135 hard-stop VND when the invoice cannot be PolarPro or NiSi<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> KF01.1805V1 \u00b7 ND2\u201332 \u00b7 82 mm \u00b7 not ND2\u2013400<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.4 \/ 5.0 \u2605\u2605\u2605\u2605\u2606<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>K&#038;F CONCEPT Nano-X \/ Nano-Xcel ND2\u201332 82 mm KF01.1805V1. 1\u20135 stops (0.3\u20131.5). Japanese AGC glass, 28-layer coat, ~7.3 mm ring. K&#038;F: no X-cross in this range. Street ~$70\u2013$90. Use an 86 mm cap.<\/td><\/tr>\n  <tr><th>On a7 IV<\/th><td>Same 1\u20135 math as NiSi without the True Color \/ Swift sentence. Fine for S-Cinetone and overcast. S-Log3 ISO 800 \/ f\/2.8 \/ 1\/48 in sun still needs more \u2014 stop down, raise frame rate, or add a fixed ND64, do not buy ND2\u2013400 to \u201cget nine stops\u201d on a 7K-oversampled file.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>KF01.1393V1 \/ SKU.0887V1 ND2\u2013400 (1\u20139-ish, no hard stop). KF01.1466 1\u20139 Nano-X. ND2\u201332 + Black Mist \/ CPL 2-in-1 as the first a7 IV ND. 77 mm on an 82 mm zoom. A 55 mm ring sized only for the kit 28\u201370.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it is Budget.<\/strong> Hard-stop 1\u20135, 82 mm, one cheap invoice, a printed SKU. You give up CinemaSeries, True Color branding, and PolarPro\u2019s 16 mm print. The only way this pick fails is Amazon merging it with ND2\u2013400. If the week is S-Log3 parking-lot noon, spend the extra on PolarPro 6\u20139 (Layer 2), not on a wider-range cheap VND.<\/p>\n  <p><strong>Skip this if<\/strong> the listing says ND2\u2013400, 1\u20139, or 1\u201310 with no hard stops.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>Named 1\u20135 SKU under $90<\/li>\n  <li>K&#038;F no-X claim in the ND2\u201332 range<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>Not enough for noon S-Log3 at ISO 800 \/ f\/2.8<\/li>\n  <li>Amazon will also show ND2\u2013400<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20Nano-X%20ND2-32%2082mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<h2>If You Need Something Else<\/h2>\n<p>These two are not cheaper versions of the Top 3. One is PolarPro\u2019s LOG \/ long-exposure ring. One is the wide-range VND Amazon will try to sell next to the Nano-X.<\/p>\n\n<div class=\"top-recommendation\" id=\"polarpro-69\" data-badge=\"also-great\">\n  <div class=\"top-badge badge-also-great\">\u2600 S-Log3 \/ long stills<\/div>\n  <h3>PolarPro Peter McKinnon Signature Edition II 82mm 6\u20139 Stop <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <table class=\"spec-table\">\n  <tr><th>What it is<\/th><td>MFR 82-6\/9-VND-ED2 \u00b7 SG-EDll-82-6\/9 \u00b7 UPC 817465026038. 6\u20139 stops (ND64\u2013ND512, 1.8\u20132.7). Same CinemaSeries, haptic, Defender360, 16 mm claim, unthreaded front, ~$250 as the 2\u20135.<\/td><\/tr>\n  <tr><th>When it wins<\/th><td>PolarPro: 6\u20139 is LOG \/ ISO over 400 \/ long exposure. Sony\u2019s S-Log native ISO 800 in hard sun at f\/2.8 \/ 1\/48. 2\u201330 s water and clouds at ISO 100. Pair with the 2\u20135 if the a7 IV does both S-Cinetone weeks and one S-Log3 commercial. Not the first buy if the job is ISO 100 stills and S-Cinetone.<\/td><\/tr>\n  <tr><th>Helix sibling<\/th><td>PolarPro Helix MagLock 6\u20139 stays off the Top 3 \u2014 different base rings, more money. Freewell FW-82-MAGVND (~$400) is a 2\u20135 + 6\u20139 magnetic kit, not this page\u2019s Value row.<\/td><\/tr>\n  <\/table>\n  <p>Buy this after 2\u20135 is already in the pouch, or when S-Log3 noon \/ long stills are the look. Do not buy it as a substitute for the hybrid default.<\/p>\n  <p><strong>Skip this if<\/strong> the week is ISO 100 S-Cinetone \u2014 PolarPro 2\u20135.<\/p>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro%20Peter%20McKinnon%2082mm%206-9&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"skip-nd400\" data-badge=\"premium\">\n  <div class=\"top-badge badge-premium\">\ud83d\udeab Skip as default<\/div>\n  <h3>ND2\u2013400 \/ \u201c1\u201310 stop\u201d variable NDs <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <table class=\"spec-table\">\n  <tr><th>Why it shows up<\/th><td>Amazon titles say \u201c82mm Variable ND\u201d next to the Nano-X. K&#038;F Nano-Klear \/ Nano-Basic ND2\u2013400 is KF01.1393V1 \/ SKU.0887V1, about $30\u2013$50. One ring claims ~1\u20139 stops. There are no hard stops at 5 or 6. That is where the X-pattern lives \u2014 worst on a 16\u201335 at 16 mm in 7K-oversampled 4K30, which is exactly the a7 IV run-and-gun wide end.<\/td><\/tr>\n  <tr><th>On a7 IV<\/th><td>33 MP stills and 10-bit 4:2:2 will show the color cast and the X. Buy KF01.1805V1 (1\u20135) or PolarPro 2\u20135. Same skip: generic 1\u201310 VNDs, stacking two variables, a 55 mm filter as the only size on a 28\u201370 kit that will be replaced by an 82 mm zoom, and any listing that implies the a7 IV has built-in ND like the FX6.<\/td><\/tr>\n  <\/table>\n  <p>A $40 1\u201310 is not a 2\u20135 with haptic clicks. If the camera in the bag is an a7 IV, the cart says 82-2\/5-VND-ED2, NIR-TCVND0.3-1.5-82, or KF01.1805V1.<\/p>\n  <p><strong>Skip this if<\/strong> the body is an a7 IV and the lens is wider than 35 mm. Buy PolarPro 2\u20135, NiSi True Color 1\u20135, or K&#038;F ND2\u201332.<\/p>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F%20ND2-400%2082mm%20Variable%20ND&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<h2>Frequently Asked Questions<\/h2>\n<div class=\"faq-module\">\n  <div class=\"faq-item\"><h3>What ND strength the a7 IV needs<\/h3><p>There is no internal ND. Movie ISO starts at 100. 180-degree shutter is \u2248 2\u00d7 fps: about 1\/48 at 24p, 1\/60 at 30p, 1\/120 at 4K\/60 Super 35. Sunny-16 at ISO 100, f\/2.8, and 1\/48 is ~6 stops \u2014 2\u20135 covers it if you can sit at f\/4 in the hardest sun. Sony\u2019s S-Log native ISO is 800 (about three more stops) \u2014 that is PolarPro 6\u20139 or NiSi 1\u20135 plus Swift ND16. Electronic stills stop at 1\/8000, same as mechanical. They can replace ND for a frozen portrait. They cannot replace ND for video or for a 2\u201330 s still.<\/p><\/div>\n  <div class=\"faq-item\"><h3>4K\/60 Super 35 vs 4K\/30 full-frame<\/h3><p>Sony: 4K 24p\/30p is full-frame 7K-oversampled (7032 \u00d7 3958). 4K 60p\/50p is Super 35 only. The crop changes angle of view. It does not add an iris ND. 180\u00b0 at 60p is ~1\/120, so you need fewer stops than at 24p \u2014 still a filter, not a menu. Do not buy a smaller-thread VND \u201cbecause Super 35 crops.\u201d The lens thread is still 82 mm on the GM zooms.<\/p><\/div>\n  <div class=\"faq-item\"><h3>82 mm vs buying one filter per lens<\/h3><p>Buy 82 mm first. FE 24\u201370 mm F2.8 GM II and FE 16\u201335 mm F2.8 GM II are 82 mm. Step-up rings take 77 mm (24\u2013105 G, 70\u2013200 GM II) and 67 mm (35 \/ 50 GM) up to that one VND. The kit 28\u201370 mm is 55 mm \u2014 a 55 mm filter will not mount on the 24\u201370. PolarPro Edition II\u2019s front is unthreaded; NiSi True Color 1\u20135 has an 86 mm front if a cap or a second filter matters.<\/p><\/div>\n  <div class=\"faq-item\"><h3>a7 IV vs a7 V vs FX3 glass<\/h3><p>Same E-mount, same 82 mm recommendation. a7 IV 4K\/60 is Super 35; a7 V 4K\/60 is full-frame 7K-oversampled and electronic stills go to 1\/16000. FX3 has no 33 MP stills, Cine EI 800 \/ 12800, and HDMI 16-bit RAW \u2014 its Overall ND is 6\u20139. This page is ILCE-7M4. Sony does not put electronic ND in any of these three. The FX6 (1\/4\u20131\/128) is a different body.<\/p><\/div>\n  <div class=\"faq-item\"><h3>The 600 Mbps codec, 1\/8000 shutter, and ND<\/h3><p>XAVC S-I 4K 59.94p is 600 Mbps; Slot 1 takes CFexpress Type A, Slot 2 is SD only. That does not change f\/2.8 or 1\/48. Stills and movies both top out at 1\/8000. Active Mode is stabilization. ND is for 180\u00b0 video and for long stills. No HDMI RAW on this body \u2014 do not buy an ND \u201cfor external RAW.\u201d<\/p><\/div>\n<\/div>\n\n<h2>Final Verdict<\/h2>\n<div class=\"conclusion-module verdict-box\">\n  <div class=\"verdict-picks\">\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83c\udfc6 Best Overall:<\/span>\n  <div class=\"verdict-product\"><strong>PolarPro PM Edition II 2\u20135<\/strong> <span class=\"verdict-reason\">\u2013 82-2\/5-VND-ED2, hard-stop 2\u20135, 16 mm claim.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro%20Peter%20McKinnon%2082mm%202-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83d\udc8e Best Value:<\/span>\n  <div class=\"verdict-product\"><strong>NiSi True Color VND 1\u20135<\/strong> <span class=\"verdict-reason\">\u2013 NIR-TCVND0.3-1.5-82. Swift ND16 for 5\u20139.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=NiSi%20True%20Color%20VND%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83d\udcb0 Budget Pick:<\/span>\n  <div class=\"verdict-product\"><strong>K&#038;F Nano-X ND2\u201332<\/strong> <span class=\"verdict-reason\">\u2013 KF01.1805V1, 1\u20135. Not ND2\u2013400.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=K%26F%20Nano-X%20ND2-32%2082mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <\/div>\n  <p class=\"verdict-summary\">For most Sony a7 IV kits, buy PolarPro 82-2\/5-VND-ED2, shoot 82 mm with step-up rings, and keep 180\u00b0 shutter at ISO 100 without raising the movie speed. There is no internal ND. 1\/8000 stills are not a video ND. S-Log3 at Sony\u2019s native ISO 800 in noon sun is PolarPro 6\u20139 (or NiSi 1\u20135 plus Swift ND16). Same 1\u20135 cheaper? K&#038;F KF01.1805V1. Skip ND2\u2013400, skip stacking two VNDs, skip the FX3 6\u20139 cart unless the week is actually LOG. 600 Mbps is a card. 4K\/60 is Super 35, not an a7 V full-frame mode. This page is the a7 IV, not the a7 V, not the FX3, and not the older mixed-filter roundup.<\/p>\n<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Sony a7 IV is a 33 MP hybrid with no internal ND. 4K\/60 is Super 35 only. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 82mm 2\u20135 stop.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[188,8],"tags":[371,945,605,1218,1456,21,445],"class_list":["post-9711","post","type-post","status-publish","format-standard","hentry","category-filter","category-sony","tag-lens-filter","tag-nd-filter","tag-nd-filters","tag-nisi","tag-polarpro","tag-sony-a7-iv","tag-variable-nd"],"_links":{"self":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/comments?post=9711"}],"version-history":[{"count":1,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9711\/revisions"}],"predecessor-version":[{"id":9892,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9711\/revisions\/9892"}],"wp:attachment":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/media?parent=9711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/categories?post=9711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/tags?post=9711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}