{"id":9709,"date":"2026-09-02T02:47:00","date_gmt":"2026-09-02T02:47:00","guid":{"rendered":"https:\/\/www.cameraegg.org\/camerareview\/best-nd-filters-for-sony-a7r-vi\/"},"modified":"2026-09-16T08:38:26","modified_gmt":"2026-09-16T08:38:26","slug":"best-nd-filters-for-sony-a7r-vi","status":"publish","type":"post","link":"https:\/\/www.cameraegg.org\/camerareview\/best-nd-filters-for-sony-a7r-vi\/","title":{"rendered":"Best ND Filters for Sony a7R VI"},"content":{"rendered":"<div class=\"gagen-article gagen-v2\"><div class=\"article-intro\">\n  <p>The Sony a7R VI is a 66.8 MP fully stacked R body with no internal ND. Movie ISO starts at 100. Dual Gain Shooting caps movie ISO at 400 \u2014 it is not an ND. 8K\/30 is 8.2K-oversampled with a narrower angle of view; 4K\/60 and 4K\/120 are full-frame. A two-second waterfall still, or 180\u00b0 at f\/2.8, still needs glass. Sony does not sell an a7R VI ND. The 2026 filter that matches this body is the PolarPro Peter McKinnon Signature Edition II 82 mm 6\u20139 stop. It is not the a7 V\u2019s 2\u20135 hybrid default, and it is not a no-hard-stop 1\u201310 ring.<\/p>\n<\/div>\n\n<div class=\"quick-picks-box\">\n  <div class=\"qp-header\">\n  <h2>Our Top Picks at a Glance<\/h2>\n  <p class=\"qp-sub\">Updated September 2026 \u00b7 a7R VI \u00b7 ILCE-7RM6 \u00b7 66.8 MP \u00b7 no internal ND \u00b7 8K30 \u00b7 4K120 FF \u00b7 Dual Gain \u22644K30 \u00b7 XAVC S-I 600 Mbps \u00b7 82 mm first<\/p>\n  <\/div>\n  <div class=\"qp-cards\">\n  <div class=\"qp-card qp-card--gold\">\n  <span class=\"qp-num\">01<\/span>\n  <span class=\"qp-badge\">\ud83c\udfc6 Best Overall<\/span>\n  <strong class=\"qp-name\">PolarPro PM Edition II 6\u20139<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2605 <span class=\"qp-score\">4.7 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">82-6\/9-VND-ED2. Hard-stop 6\u20139. PolarPro: LOG \/ long exposure. Zero vignette to 16 mm.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#best-overall\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <div class=\"qp-card qp-card--green\">\n  <span class=\"qp-num\">02<\/span>\n  <span class=\"qp-badge\">\ud83d\udc8e Best Value<\/span>\n  <strong class=\"qp-name\">NiSi True Color VND 1\u20135<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2606 <span class=\"qp-score\">4.6 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">NIR-TCVND0.3-1.5-82. True Color on 66.8 MP. Swift ND16 expands to 5\u20139.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=NiSi+True+Color+VND+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#best-value\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <div class=\"qp-card qp-card--blue\">\n  <span class=\"qp-num\">03<\/span>\n  <span class=\"qp-badge\">\ud83d\udcb0 Budget Pick<\/span>\n  <strong class=\"qp-name\">K&#038;F Nano-X ND2\u201332<\/strong>\n  <div class=\"qp-rating\">\u2605\u2605\u2605\u2605\u2606 <span class=\"qp-score\">4.4 \/ 5.0<\/span> <span class=\"qp-reviews\">\u00b7 2026 pick<\/span><\/div>\n  <p class=\"qp-why\">KF01.1805V1. 82 mm, 1\u20135 stops, no-X claim. Not the ND2\u2013400.<\/p>\n  <a href=\"https:\/\/www.amazon.com\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"qp-btn\" rel=\"nofollow noopener\">Check Price at Amazon<\/a>\n  <a href=\"#budget-pick\" class=\"qp-jump\">Read full review \u2193<\/a>\n  <\/div>\n  <\/div>\n<\/div>\n\n<div class=\"affiliate-disclosure\"><p><em>Disclosure: This page contains affiliate links. As an Amazon Associate affiliate, we earn a small commission from qualifying purchases at no extra cost to you.<\/em><\/p><\/div>\n\n<div class=\"info-module buying-guide\" id=\"who-should-buy\">\n  <h3>Who should buy what<\/h3>\n  <ul>\n  <li><strong>Default a7R VI (2\u201330 s water\/cloud stills, S-Log3 \/ 8K or 4K in daylight, 16\u201335 or 24\u201370 GM II):<\/strong> <a href=\"#best-overall\">PolarPro Peter McKinnon Edition II 82 mm 6\u20139<\/a> \u2014 PolarPro\u2019s own line is 6\u20139 for LOG and long exposure. Hard stops. Printed zero vignetting to 16 mm. Buy 82 mm and step-up rings for 77 \/ 72 \/ 67.<\/li>\n  <li><strong>True Color on a 66.8 MP file, expand when noon needs 5\u20139:<\/strong> <a href=\"#best-value\">NiSi True Color 1\u20135 (NIR-TCVND0.3-1.5-82)<\/a> \u2014 press on the Swift ND16 for S-Log3 sun.<\/li>\n  <li><strong>Same 1\u20135 hard-stop idea, cheaper cart:<\/strong> <a href=\"#budget-pick\">K&#038;F Nano-X ND2\u201332 KF01.1805V1<\/a> \u2014 not ND2\u2013400. 66.8 MP will show a cheap 1\u201310 X faster than a 33 MP hybrid.<\/li>\n  <li><strong>ISO 100 S-Cinetone \/ Creative Look, not a 10-second still:<\/strong> <a href=\"#polarpro-25\">PolarPro Edition II 82 mm 2\u20135<\/a> \u2014 PolarPro: 2\u20135 is the general photo \/ video ring. That is the a7 V default, not this R body\u2019s first buy.<\/li>\n  <li><strong>Skip:<\/strong> No-hard-stop ND2\u2013400 \/ \u201c1\u201310 stop\u201d VNDs. Stacking two variable NDs. A 67 mm filter as the only size on a 24\u201370 GM II. Treating Dual Gain as an ND \u2014 Sony Help: On locks movie ISO to 100\u2013400 equivalent and movie shutter to 1\/4000\u20131 s. The a7 V 2\u20135 cart if the week is actually 8K S-Log3 or Pixel Shift water. This URL is the a7R VI, not the a7R V and not the a7 V.<\/li>\n  <\/ul>\n<\/div>\n\n<h2>Comparison Table<\/h2>\n<div class=\"comparison-module\">\n  <table class=\"comparison-table\">\n  <thead><tr><th>Product<\/th><th>Stops<\/th><th>On an a7R VI<\/th><th>Thread \/ note<\/th><th>Price<\/th><th>Buy<\/th><\/tr><\/thead>\n  <tbody>\n  <tr class=\"highlight-row\"><td><strong>PolarPro PM II 6\u20139<\/strong><\/td><td>6\u20139 (ND64\u2013ND512)<\/td><td>Default long stills \/ LOG \/ 8K noon<\/td><td>82 mm \u00b7 hard stops \u00b7 to 16 mm<\/td><td>~$250<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>NiSi True Color 1\u20135<\/strong><\/td><td>1\u20135 (+ Swift ND16 = 5\u20139)<\/td><td>True Color on 66.8 MP; expand for noon<\/td><td>82 mm \u00b7 86 mm front<\/td><td>~$180\u2013$220<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=NiSi+True+Color+VND+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>K&#038;F Nano-X ND2\u201332<\/strong><\/td><td>1\u20135<\/td><td>Budget hard-stop 1\u20135<\/td><td>KF01.1805V1 \u00b7 82 mm<\/td><td>~$70\u2013$90<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>PolarPro PM II 2\u20135<\/strong><\/td><td>2\u20135 (ND4\u2013ND32)<\/td><td>S-Cinetone \/ ISO 100 \u2014 Layer 2<\/td><td>82-2\/5-VND-ED2 \u00b7 to 16 mm<\/td><td>~$250<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+2-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <tr><td><strong>ND2\u2013400 \/ 1\u201310 VND<\/strong><\/td><td>~1\u20138.6, no hard stop<\/td><td>X-pattern on 66.8 MP \u2014 skip<\/td><td>Wide-range two-polarizer junk<\/td><td>~$30\u2013$50<\/td><td><a href=\"https:\/\/www.amazon.com\/s?k=K%26F+ND2-400+82mm+Variable+ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"table-price-btn\" rel=\"nofollow noopener\">Check<\/a><\/td><\/tr>\n  <\/tbody>\n  <\/table>\n<\/div>\n<p>Street prices move. PolarPro\u2019s 82 mm Edition II often sits around $250; NiSi True Color 1\u20135 around $180\u2013$220; K&#038;F Nano-X ND2\u201332 around $70\u2013$90. ND4 is 2 stops, ND32 is 5, ND64 is 6, ND512 is 9. 180-degree shutter is \u2248 2\u00d7 fps: ~1\/48 at 24, ~1\/50 at 25, ~1\/60 at 30, ~1\/120 at 60, ~1\/240 at 120. A 1\u20132 s still at ISO 100 \/ f\/8 is about eight to nine stops over sunny-16 \u2014 that is 6\u20139, not 2\u20135. Dual Gain On is ISO 100\u2013400 for movies (Sony Help) and shutter 1\/4000\u20131 s; it does not subtract stops. Electronic stills stop at 1\/8000 on this body \u2014 not the a7 V\u2019s 1\/16000. Sony does not sell a circular ND. Buy 82 mm first. XAVC S-I 4K 59.94p is 600 Mbps; XAVC HS 8K 4:2:2 tops out at 520 Mbps \u2014 both slots take CFexpress Type A. Do not stack two variable NDs.<\/p>\n\n<h2>How We Picked These Filters<\/h2>\n<ul>\n  <li><strong>What Sony published for this body:<\/strong> ILCE-7RM6 spec sheet: E-mount. 35.9 \u00d7 24.0 mm fully stacked Exmor RS CMOS. Approx. 72.6 MP total; 66.8 MP effective stills (9984 \u00d7 6656); 55.8 MP effective movies. BIONZ XR2. Stills ISO 100\u201332000, expandable 50\u2013102400. Movies ISO 100\u201332000 equivalent. Dual Gain Shooting On (Sony Help): movie ISO 100\u2013400 equivalent; movie shutter 1\/4000\u20131 s. Dual Gain is 4K at 30p or lower (CineD \/ DPReview); Sony: slower readout, suited to landscapes or little motion \u2014 not a Cinema Line dual-base ISO. Shutter: electronic and mechanical stills 1\/8000\u201330 s, Bulb; movies 1\/8000\u20131 s. 8K 30p XAVC HS, 8.2K oversampling; Sony footnote: 8K 30p narrows the angle of view (~1.2\u00d7). 4K 60p and 4K 120p without cropping (Sony). XAVC HS 8K 29.97p 400\/200 Mbps 4:2:0 10-bit or 520\/260 Mbps 4:2:2 10-bit. XAVC S-I 4K 59.94p 600 Mbps \/ 50p 500 \/ 29.97p 300 \/ 23.98p 240. XAVC HS 4K 119.88p up to 280 Mbps 4:2:2. HDMI RAW: 4576 \u00d7 2576, 16-bit, plus 8K HDMI. S-Log3, S-Gamut3 \/ S-Gamut3.Cine, S-Cinetone, user LUTs. Pixel Shift Multi Shooting 4 \/ 16 shots. Dual slots, both CFexpress Type A \/ SD. IBIS 8.5 stops center \/ 7.0 periphery (CIPA 2024, FE 50 mm F1.2 GM). EVF 9.44 M dots; 3.2-type 2.1 M-dot 4-axis LCD. Weight approx. 713 g with NP-SA100 and card, 622 g body. 132.7 \u00d7 96.9 \u00d7 82.9 mm. 30 fps electronic stills. 8K heat claim: up to 120 min (XAVC HS 8K 30p 200M, Temp. High, 25 \u00b0C). Sony does not sell an a7R VI ND set. There is no built-in ND.<\/li>\n  <li><strong>Why 66.8 MP still needs 6\u20139, and why Dual Gain is not glass:<\/strong> This is an R body. Two-to-thirty-second water and clouds at ISO 100 are the reason the series exists. PolarPro prints 6\u20139 for LOG and long exposure. Movie shutter still tops out at 1 s (1\/4000 with Dual Gain On). 180\u00b0 at 24p is ~1\/48. Sunny-16 at ISO 100 \/ f\/2.8 \/ 1\/48 is ~6 stops; S-Log3 or Dual Gain\u2019s ISO 400 ceiling does not remove those stops \u2014 Dual Gain On lowers the ISO you are allowed to use. 8K\/30 and HDMI 16-bit RAW still have no iris inside the body. Pixel Shift 4 \/ 16 is a composite, not an ND. 1\/8000 stills can freeze a portrait; they cannot make a two-second shutter. A no-hard-stop 1\u201310 VND draws an X that 66.8 MP will print.<\/li>\n  <li><strong>82 mm, the a7 V trap, and the a7R V trap:<\/strong> Standardize on 82 mm: FE 24\u201370 mm F2.8 GM II and FE 16\u201335 mm F2.8 GM II. Step-up 77 mm and 67 mm. PolarPro Edition II claims zero vignetting to 16 mm; front is unthreaded. NiSi True Color 1\u20135 uses an 86 mm front and a Swift ND16 for 5\u20139. K&#038;F hard-stop 1\u20135 is KF01.1805V1; ND2\u2013400 is the skip. a7 V is 33 MP, 1\/16000 electronic stills, 4K\/120 Super 35, no 8K, no HDMI RAW, Overall 2\u20135 \u2014 do not copy that cart here. a7R V was 61 MP, 4K\/60 cropped, 8K\/24; this body is 66.8 MP stacked, 4K\/120 full-frame, 8K\/30. Same E-mount thread. Different job.<\/li>\n<\/ul>\n\n<h2>Best ND Filters for Sony a7R VI: Detailed Reviews<\/h2>\n\n<div class=\"top-recommendation\" id=\"best-overall\" data-badge=\"best-overall\">\n  <div class=\"top-badge badge-best-overall\">\ud83c\udfc6 Best Overall<\/div>\n  <h3>PolarPro Peter McKinnon Signature Edition II 82mm 6\u20139 Stop <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro+Peter+McKinnon+82mm+6-9&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> 66.8 MP long stills and daylight S-Log3 \/ 8K \/ 4K120 on the R body that has no internal ND<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> 82-6\/9-VND-ED2 \u00b7 6\u20139 stops \u00b7 hard stops \u00b7 CinemaSeries \u00b7 to 16 mm<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.7 \/ 5.0 \u2605\u2605\u2605\u2605\u2605<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>MFR 82-6\/9-VND-ED2 \u00b7 PolarPro SG-EDll-82-6\/9 \u00b7 UPC 817465026038. 82 mm rear thread. Density 1.8\u20132.7 (ND64\u2013ND512). CinemaSeries. Haptic clicks. Defender360. Street ~$250.<\/td><\/tr>\n  <tr><th>On a7R VI<\/th><td>PolarPro: 6\u20139 for LOG and for ISO over 400 at f\/1.4\u2013f\/2.8, and for long exposure. Matches 1\u201330 s water at ISO 100 and S-Log3 \/ Dual Gain daylight. Front unthreaded. Printed zero vignetting to 16 mm.<\/td><\/tr>\n  <tr><th>Dual Gain \/ HDMI RAW<\/th><td>Dual Gain On does not add density. HDMI 16-bit 4576 \u00d7 2576 still wants 180\u00b0. Pixel Shift 4 \/ 16 still wants the same shutter per frame.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>Edition II 2\u20135 (same $250, a7 V default \u2014 Layer 2 here). Helix MagLock. 77 mm on an 82 mm zoom. Edition I.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it fits the a7R VI.<\/strong> This is a 66.8 MP R body, not a 33 MP hybrid. PolarPro already split the catalog: 6\u20139 for LOG and long exposure. That is the R job. Buy 82 mm once; step-up the 77 mm and 67 mm primes. Buy NiSi first if True Color on a 9984-pixel-wide still matters more than haptic clicks and you will Swift-expand for noon. 1\/8000 stills do not retire this filter. 600 Mbps \/ 520 Mbps 8K is a CFexpress Type A choice \u2014 both slots take one.<\/p>\n  <p><strong>Skip this if<\/strong> the week is ISO 100 S-Cinetone and no long stills \u2014 PolarPro 2\u20135. Skip a 77 mm copy when the 24\u201370 GM II is 82 mm.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>Hard-stop 6\u20139 matches long stills and LOG noon<\/li>\n  <li>Zero vignette claim to 16 mm<\/li>\n  <li>Haptic stops; Defender360<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>Front unthreaded \u2014 no screw-in stack<\/li>\n  <li>Too dark for shade \/ ISO 100 S-Cinetone<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro+Peter+McKinnon+82mm+6-9&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"best-value\" data-badge=\"best-value\">\n  <div class=\"top-badge badge-best-value\">\ud83d\udc8e Best Value<\/div>\n  <h3>NiSi True Color ND-VARIO Pro Nano 1\u20135 Stop 82mm <a href=\"https:\/\/www.amazon.com\/s?k=NiSi+True+Color+VND+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=NiSi+True+Color+VND+82mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> True Color on a 66.8 MP \/ Pixel Shift file \u2014 plus a press-on path to 5\u20139 when S-Log3 noon shows up<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> NIR-TCVND0.3-1.5-82 \u00b7 hard stops \u00b7 86 mm front \u00b7 Swift ND16 optional<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.6 \/ 5.0 \u2605\u2605\u2605\u2605\u2606<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>NIR-TCVND0.3-1.5-82 \u00b7 EAN 6972949372941. 1\u20135 stops (0.3\u20131.5). Nano coat. Removable lever. 86 mm front. Street ~$180\u2013$220. Swift 1\u20139 kit: NIR-TCVNDSWIFT-KIT0.3-2.7-82 (~$309\u2013$339) if the ND16 should land in the same box.<\/td><\/tr>\n  <tr><th>On a7R VI<\/th><td>True Color is the reason it is Value on 9984 \u00d7 6656 and on 16-shot Pixel Shift. 1\u20135 alone is short for a two-second still or Dual Gain ISO 400 \/ 1\/48 in sun \u2014 that is the Swift ND16 (4 stops), which NiSi says turns this ring into 5\u20139 without an X.<\/td><\/tr>\n  <tr><th>Wide glass<\/th><td>NiSi \/ B&#038;H language on this 1\u20135 is conservative on ultra-wide. PolarPro is the ring that prints 16 mm. On a 16\u201335 GM II at 16 mm, PolarPro is the safer wide claim.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>Older NiSi ND-VARIO 5\u20139 Enhanced (NIR-VND1.5-2.7-82) \u2014 not True Color; NiSi recommended 35 mm+. 77 mm on an 82 mm zoom.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it is Value, not Overall.<\/strong> Cheaper True Color hard-stop VND, and the Swift ND16 is a real 5\u20139 path. PolarPro 6\u20139 still wins the R default because one ring covers 2\u201330 s stills without a press-on. Buy this if color on a 66.8 MP still is the week and noon is the exception you expand for.<\/p>\n  <p><strong>Skip this if<\/strong> every setup is a two-second river or 8K S-Log3 parking-lot sun \u2014 PolarPro 6\u20139.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>True Color + hard stops under PolarPro money<\/li>\n  <li>Swift ND16 expands to 5\u20139<\/li>\n  <li>86 mm front thread<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>1\u20135 alone is short for R-series long stills<\/li>\n  <li>16 mm claim is PolarPro\u2019s<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=NiSi+True+Color+VND+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=NiSi+True+Color+VND+82mm&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=NiSi+True+Color+VND+82mm&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=NiSi+True+Color+VND+82mm&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=NiSi+True+Color+VND+82mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"budget-pick\" data-badge=\"budget-pick\">\n  <div class=\"top-badge badge-budget\">\ud83d\udcb0 Budget Pick<\/div>\n  <h3>K&#038;F Concept Nano-X ND2\u201332 Variable ND 82mm <a href=\"https:\/\/www.amazon.com\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F+Nano-X+ND2-32+82mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <div class=\"product-highlights\">\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Best For:<\/span> A named 1\u20135 hard-stop VND when the invoice cannot be PolarPro or NiSi<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Key Feature:<\/span> KF01.1805V1 \u00b7 ND2\u201332 \u00b7 82 mm \u00b7 not ND2\u2013400<\/div>\n  <div class=\"highlight-item\"><span class=\"highlight-label\">Rating:<\/span> <span class=\"star-rating\">4.4 \/ 5.0 \u2605\u2605\u2605\u2605\u2606<\/span><\/div>\n  <\/div>\n  <table class=\"spec-table\">\n  <tr><th>SKU<\/th><td>K&#038;F CONCEPT Nano-X \/ Nano-Xcel ND2\u201332 82 mm KF01.1805V1. 1\u20135 stops. Japanese AGC glass, 28-layer coat, ~7.3 mm ring. K&#038;F: no X-cross in this range. Street ~$70\u2013$90. Use an 86 mm cap.<\/td><\/tr>\n  <tr><th>On a7R VI<\/th><td>Same 1\u20135 math as NiSi without True Color \/ Swift. Fine for S-Cinetone and ISO 100 clips. A two-second still or Dual Gain \/ S-Log3 noon still wants 6\u20139 \u2014 stop down or add a fixed ND, do not \u201cupgrade\u201d to ND2\u2013400. 66.8 MP and 16-shot Pixel Shift will show a cheap cast.<\/td><\/tr>\n  <tr><th>SKU trap<\/th><td>KF01.1393V1 \/ SKU.0887V1 ND2\u2013400. KF01.1466 1\u20139 Nano-X. ND2\u201332 + Black Mist \/ CPL 2-in-1 as the first a7R VI ND. 77 mm on an 82 mm zoom.<\/td><\/tr>\n  <\/table>\n  <p><strong>Why it is Budget.<\/strong> Hard-stop 1\u20135, 82 mm, one cheap invoice. You give up CinemaSeries and True Color. The only way this pick fails is Amazon merging it with ND2\u2013400. If the week is paid 8K S-Log3 or Pixel Shift water, spend the extra.<\/p>\n  <p><strong>Skip this if<\/strong> the listing says ND2\u2013400, 1\u20139, or 1\u201310 with no hard stops.<\/p>\n  <div class=\"pros-cons\">\n  <ul class=\"pros\">\n  <li>Named 1\u20135 SKU under $90<\/li>\n  <li>K&#038;F no-X claim in the ND2\u201332 range<\/li>\n  <\/ul>\n  <ul class=\"cons\">\n  <li>Not enough for R-series long stills or LOG noon<\/li>\n  <li>Amazon will also show ND2\u2013400<\/li>\n  <\/ul>\n  <\/div>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F+Nano-X+ND2-32+82mm&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<h2>If You Need Something Else<\/h2>\n<p>These two are not cheaper versions of the Top 3. One is PolarPro\u2019s hybrid \/ non-LOG ring \u2014 the a7 V default. One is the wide-range VND Amazon will try to sell next to the Nano-X.<\/p>\n\n<div class=\"top-recommendation\" id=\"polarpro-25\" data-badge=\"also-great\">\n  <div class=\"top-badge badge-also-great\">\ud83c\udf24 2\u20135 \/ S-Cinetone<\/div>\n  <h3>PolarPro Peter McKinnon Signature Edition II 82mm 2\u20135 Stop <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+2-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro+Peter+McKinnon+82mm+2-5&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <table class=\"spec-table\">\n  <tr><th>What it is<\/th><td>MFR 82-2\/5-VND-ED2 \u00b7 SG-EDll-82-2\/5 \u00b7 UPC 817465026007. 2\u20135 stops (ND4\u2013ND32, 0.6\u20131.5). Same CinemaSeries, haptic, Defender360, 16 mm claim, unthreaded front, ~$250 as the 6\u20139.<\/td><\/tr>\n  <tr><th>When it wins<\/th><td>PolarPro: 2\u20135 is the general photo \/ video ring. S-Cinetone, Creative Look, windowed interiors. Pair with 6\u20139 if the a7R VI does both recce stills and graded 8K. Not the first buy if the job is a two-second river or Dual Gain \/ S-Log3 noon.<\/td><\/tr>\n  <tr><th>Not the a7 V default on this URL<\/th><td>a7 V Overall is 2\u20135 because that body is a 33 MP hybrid with 1\/16000 electronic stills and no 8K. This page is ILCE-7RM6.<\/td><\/tr>\n  <\/table>\n  <p>Buy this after 6\u20139 is in the pouch, or when ISO 100 S-Cinetone is the look. Do not buy it as the only filter if the week is Pixel Shift water.<\/p>\n  <p><strong>Skip this if<\/strong> the week is 8K S-Log3 or 2\u201330 s stills \u2014 PolarPro 6\u20139.<\/p>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+2-5&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=PolarPro+Peter+McKinnon+82mm+2-5&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=PolarPro+Peter+McKinnon+82mm+2-5&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=PolarPro+Peter+McKinnon+82mm+2-5&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=PolarPro+Peter+McKinnon+82mm+2-5&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<div class=\"top-recommendation\" id=\"skip-nd400\" data-badge=\"premium\">\n  <div class=\"top-badge badge-premium\">\ud83d\udeab Skip as default<\/div>\n  <h3>ND2\u2013400 \/ \u201c1\u201310 stop\u201d variable NDs <a href=\"https:\/\/www.amazon.com\/s?k=K%26F+ND2-400+82mm+Variable+ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"title-amazon-btn\" rel=\"nofollow noopener\">View on Amazon<\/a> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F+ND2-400+82mm+Variable+ND&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"title-bh-btn\" rel=\"nofollow noopener\">View on B&#038;H<\/a><\/h3>\n  <table class=\"spec-table\">\n  <tr><th>Why it shows up<\/th><td>Amazon titles say \u201c82mm Variable ND\u201d next to the Nano-X. K&#038;F Nano-Klear \/ Nano-Basic ND2\u2013400 is KF01.1393V1 \/ SKU.0887V1, about $30\u2013$50. No hard stops at 5 or 6. That is where the X-pattern lives \u2014 worst on a 16\u201335 at 16 mm, and louder on a 66.8 MP still or a 16-shot Pixel Shift composite than on any 33 MP hybrid.<\/td><\/tr>\n  <tr><th>On a7R VI<\/th><td>S-Log3, 8K, and 9984-pixel-wide RAW will show the cast and the X. Buy KF01.1805V1 (1\u20135) or PolarPro 6\u20139. Same skip: generic 1\u201310 VNDs, stacking two variables, a 67 mm filter as the only size on a 24\u201370 GM II, and any listing that implies Dual Gain replaces ND.<\/td><\/tr>\n  <\/table>\n  <p>A $40 1\u201310 is not a 6\u20139 with haptic clicks. If the camera in the bag is an a7R VI, the cart says 82-6\/9-VND-ED2, NIR-TCVND0.3-1.5-82, or KF01.1805V1.<\/p>\n  <p><strong>Skip this if<\/strong> the body is an a7R VI and the lens is wider than 35 mm. Buy PolarPro 6\u20139, NiSi True Color 1\u20135, or K&#038;F ND2\u201332.<\/p>\n  <p class=\"purchase-links\"><span class=\"amazon-region-btn\">Check Price on <a href=\"https:\/\/www.amazon.com\/s?k=K%26F+ND2-400+82mm+Variable+ND&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">Amazon US<\/a>, <a href=\"https:\/\/www.amazon.co.uk\/s?k=K%26F+ND2-400+82mm+Variable+ND&#038;tag=pctest07-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">UK<\/a>, <a href=\"https:\/\/www.amazon.ca\/s?k=K%26F+ND2-400+82mm+Variable+ND&#038;tag=pctestt-20&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">CA<\/a>, <a href=\"https:\/\/www.amazon.de\/s?k=K%26F+ND2-400+82mm+Variable+ND&#038;tag=67990-21&#038;linkCode=osi\" target=\"_blank\" rel=\"nofollow noopener\">DE<\/a> \u2192<\/span> <a href=\"https:\/\/www.bhphotovideo.com\/c\/search?Ntt=K%26F+ND2-400+82mm+Variable+ND&#038;BI=8941&#038;KBID=10361&#038;SID=12345&#038;DFF=d50\" target=\"_blank\" class=\"purchase-link-bh\" rel=\"nofollow noopener\">Check Price on B&#038;H<\/a><\/p>\n<\/div>\n\n<h2>Frequently Asked Questions<\/h2>\n<div class=\"faq-module\">\n  <div class=\"faq-item\"><h3>What ND strength the a7R VI needs<\/h3><p>There is no internal ND. Movie ISO starts at 100. Dual Gain On locks movie ISO to 100\u2013400 equivalent and movie shutter to 1\/4000\u20131 s (Sony Help). 180-degree shutter is \u2248 2\u00d7 fps: about 1\/48 at 24p, 1\/60 at 30p, 1\/120 at 4K\/60, 1\/240 at 4K\/120. A 1\u20132 s still at ISO 100 \/ f\/8 is about eight to nine stops over sunny-16 \u2014 PolarPro 6\u20139. S-Cinetone at ISO 100 \/ f\/4 is 2\u20135. Electronic stills stop at 1\/8000, not 1\/16000. Pixel Shift 4 \/ 16 does not add density.<\/p><\/div>\n  <div class=\"faq-item\"><h3>Dual Gain instead of an ND<\/h3><p>No. Dual Gain is two amplification circuits for shadow latitude, available in 4K at 30p or lower. Sony: readout slows; it is for landscapes or little motion. On = ISO 100\u2013400 for movies, shutter 1\/4000\u20131 s. That is more reason for 6\u20139 in sun, not less. It is not FX6 electronic ND (1\/4\u20131\/128) and not Cinema Line dual-base ISO 800 \/ 12800.<\/p><\/div>\n  <div class=\"faq-item\"><h3>82 mm vs buying one filter per lens<\/h3><p>Buy 82 mm first. FE 24\u201370 mm F2.8 GM II and FE 16\u201335 mm F2.8 GM II are 82 mm. Step-up rings take 77 mm and 67 mm up to that one VND. A 67 mm filter will not mount on the 24\u201370. PolarPro Edition II\u2019s front is unthreaded; NiSi True Color 1\u20135 has an 86 mm front.<\/p><\/div>\n  <div class=\"faq-item\"><h3>a7R VI vs a7 V vs a7R V glass<\/h3><p>Same E-mount, same 82 mm recommendation. a7 V is 33 MP, 1\/16000 electronic stills, 4K\/120 Super 35, no 8K, no HDMI RAW \u2014 Overall 2\u20135. a7R V was 61 MP, cropped 4K\/60, 8K\/24. a7R VI is 66.8 MP stacked, 4K\/120 full-frame, 8K\/30 with a narrower 8K angle of view, HDMI 16-bit 4576 \u00d7 2576, Dual Gain, NP-SA100. Overall here is 6\u20139. Sony does not put electronic ND in any of these.<\/p><\/div>\n  <div class=\"faq-item\"><h3>8K, 600 Mbps, HDMI RAW, and ND<\/h3><p>XAVC HS 8K 4:2:2 tops out at 520 Mbps; XAVC S-I 4K 59.94p is 600 Mbps. Both card slots take CFexpress Type A. HDMI RAW is 4576 \u00d7 2576, 16-bit. None of that changes f\/2.8 or 1\/48. 8K\/30 narrows the angle of view; 4K\/120 does not (Sony). Dynamic active Mode is stabilization. ND is for 180\u00b0 video and for long stills. Dual Gain is not an ND.<\/p><\/div>\n<\/div>\n\n<h2>Final Verdict<\/h2>\n<div class=\"conclusion-module verdict-box\">\n  <div class=\"verdict-picks\">\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83c\udfc6 Best Overall:<\/span>\n  <div class=\"verdict-product\"><strong>PolarPro PM Edition II 6\u20139<\/strong> <span class=\"verdict-reason\">\u2013 82-6\/9-VND-ED2, hard-stop 6\u20139, 16 mm claim.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=PolarPro+Peter+McKinnon+82mm+6-9&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83d\udc8e Best Value:<\/span>\n  <div class=\"verdict-product\"><strong>NiSi True Color VND 1\u20135<\/strong> <span class=\"verdict-reason\">\u2013 NIR-TCVND0.3-1.5-82. Swift ND16 for 5\u20139.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=NiSi+True+Color+VND+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <div class=\"verdict-item\">\n  <span class=\"verdict-label\">\ud83d\udcb0 Budget Pick:<\/span>\n  <div class=\"verdict-product\"><strong>K&#038;F Nano-X ND2\u201332<\/strong> <span class=\"verdict-reason\">\u2013 KF01.1805V1, 1\u20135. Not ND2\u2013400.<\/span><\/div>\n  <a href=\"https:\/\/www.amazon.com\/s?k=K%26F+Nano-X+ND2-32+82mm&#038;tag=e6890-20&#038;linkCode=osi\" target=\"_blank\" class=\"verdict-btn\" rel=\"nofollow noopener\">Buy Now<\/a>\n  <\/div>\n  <\/div>\n  <p class=\"verdict-summary\">For most Sony a7R VI kits, buy PolarPro 82-6\/9-VND-ED2, shoot 82 mm with step-up rings, and keep 2\u201330 s stills and 180\u00b0 S-Log3 \/ 8K without raising ISO. There is no internal ND. Dual Gain is ISO 100\u2013400, not glass. 1\/8000 stills are not a two-second shutter. S-Cinetone at ISO 100? PolarPro 2\u20135 or NiSi True Color 1\u20135 (Swift ND16 when it gets hot). Same 1\u20135 cheaper? K&#038;F KF01.1805V1. Skip ND2\u2013400, skip stacking two VNDs, skip the a7 V 2\u20135 cart unless the week is actually hybrid ISO 100. 600 Mbps \/ 520 Mbps 8K is a card. This page is the a7R VI, not the a7 V or the a7R V.<\/p>\n<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Sony a7R VI is a 66.8 MP R body with no internal ND. Dual Gain is not glass. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 82mm 6\u20139 stop.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[188,8],"tags":[371,945,605,1218,1456,2699,445],"class_list":["post-9709","post","type-post","status-publish","format-standard","hentry","category-filter","category-sony","tag-lens-filter","tag-nd-filter","tag-nd-filters","tag-nisi","tag-polarpro","tag-sony-a7r-vi","tag-variable-nd"],"_links":{"self":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/comments?post=9709"}],"version-history":[{"count":1,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9709\/revisions"}],"predecessor-version":[{"id":9894,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/posts\/9709\/revisions\/9894"}],"wp:attachment":[{"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/media?parent=9709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/categories?post=9709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cameraegg.org\/camerareview\/wp-json\/wp\/v2\/tags?post=9709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}