Best ND Filters for Sony FX5
The Sony FX5 is a July 2026 Cinema Line body with no internal ND. Dual Gain is not glass. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 82mm 6–9 stop.
Best ND Filters for Sony a7R VI
The Sony a7R VI is a 66.8 MP R body with no internal ND. Dual Gain is not glass. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 82mm 6–9 stop.
Best ND Filters for Sony a7 V
The Sony a7 V is a 33 MP hybrid with no internal ND. Movie ISO starts at 100. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 82mm 2–5 stop.
Best ND Filters for Sony FX3
The Sony FX3 has no internal ND. Cine EI sits at ISO 800 and 12800. The 2026 default is the PolarPro Peter McKinnon Signature Edition II 82mm 6–9 stop.
Best ND Filters for DJI Mini 5 Pro
The DJI Mini 5 Pro is a 1-inch CMOS, 50MP, and a locked f/1.8. Official ND is ND8/32/128 at about 1.12 g. The 2026 default is the DJI Mini 5 Pro ND Filter Set.
Best ND Filters for iPhone 17 Pro Max
The iPhone 17 Pro Max is a locked ƒ/1.78 Fusion Main, Apple Log 2, and 4K/24–4K/120 on that same lens. Aperture does not move. The Camera app just shortens the shutter until 24 fps looks like a slideshow. Apple does not sell ND. The 2026 kit that actually covers this camera island — Pro Max…
Best ND Filters for Insta360 X5
The Insta360 X5 is dual 1/1.28-inch sensors, a locked F2.0, and ISO 100 as the floor. Video shutter runs from 1/8000 down to the frame-rate limit. In sun the body just shortens the shutter until 8K30 looks like a slideshow. This is the first Insta360 360 camera that actually shipped physical ND — Hall-sensor auto-detect,…
Best ND Filters for DJI Osmo Pocket 3
The DJI Osmo Pocket 3 is a 1-inch CMOS on a 3-axis gimbal with a locked f/2.0, 20 mm-equivalent lens and ISO 50 as the floor. Video shutter runs from 1/8000 down to the frame-rate limit; the body cannot stop down, so in daylight it just shortens the shutter until 4K/30 looks like a slideshow….
Best Storage Case for PolarPro Filters
If you’ve invested hundreds of dollars in PolarPro’s high-end glass, the last thing you want is a stray grain of sand or a clumsy drop ruining your shot. Standard filter pouches often feel like an afterthought, but for serious glass like the Peter McKinnon VNDs, you need something rugged and refined. In my years shooting…